Category: Reviews

Posted on by Lauren Katulka

Jazz in the Vines @ Tyrells Winery, Hunter Valley – 25 October 2008

Rain plagued New South Wales last week. But it was almost as if the weather gods knew that I was heading to Jazz in the Vines at Tyrells Winery on Saturday, because those storm clouds disappeared to reveal a glorious day. The sunshine was just the first thing that went right that day.

We arrived with just enough time to set up our deck chairs and purchase a bottle of verdelho from one of the six wineries on hand before the entertainment began. We settled in to enjoy the instrumental brilliance of Newcastle jazz outfit the Adam Miller Band. Adam Miller is a charismatic front man, open with the crowd and keen to share the stories of the tunes he’s written. With an understanding of the meaning behind the melodies, I found myself engaged from the start of his set to the end.

The dual stage set-up meant that we didn’t have to wait long for the Royal Australian Air Force band, Force 10. I expected a traditional brass sound as regimented as their uniforms, but was pleasantly surprised at their sense of fun. We happily sang along to big band classics like “World on a String” and “Under My Skin.” There’s a reason why these songs from the 20s and 30s are classics, and jazz fans young and old ate them up. The combination of booming drums, rich brass instruments, a tinkling piano and velvety smooth vocals was heavenly. Needless to say, Force 10 were an unexpected joy.

I’ve been a big fan of Australian soul legend Renee Geyer for as long as I can remember. I’ve seen countless shows over the years, but for some reason this set didn’t come quite up to par for me. Her sultry voice was in fine form, and she delivered hit after hit including “Heading in the Right Direction” and “Say I Love You.” But her snotty attitude took a little of the gloss off. Renee complained about the cameramen filming her, whining that she wasn’t dressed well enough. The cameramen complied to placate her diva behaviour, and the big screens were promptly switched off. I was close enough to the stage to see Renee, but I’m sure the people perched up the back of the vineyard didn’t appreciate her bitching. Renee could have taken a lesson from the music fans dancing freely in front of her; she really needed to lighten up and just have some fun!

Someone who does know how to have fun is James Morrison, who took to the stage with his brother John Morrison’s Swing City Big Band. Who else can get away with a fast and furious rendition of The Flintstone’s theme, complete with a little audience participation? James wowed us with jazz and Latin standards delivered with intensity and abandon. The highlight was when he took a trumpet in one hand and a trombone in the other, and took turns playing some wild one-handed licks. I guess he really does have more musical talent in one hand than I do in my entire body!

John and his band stuck around to support Glenn Shorrock. This Aussie music legend drew from his own extensive back catalogue and some classic jazz standards for an unforgettable set. Anyone who wasn’t already dancing soon found their feet when Glenn belted out the hits from Little River Band, Axiom, and the big band masters. We all knew every word to every song, and sung along enthusiastically. I can’t believe it’s taken me this long to catch my first Glenn Shorrock show. It definitely won’t be the last.

American expat Lisa Hunt closed the show with a set jam-packed with soul classics. From Motown to the disco dance halls, Lisa ensured we all had a good time. I never thought I’d see someone best Renee Geyer, but Lisa’s joy and utter abandon made this set so much more enjoyable. My feet were sore, and I was a little hot and sweaty by the close, but I left determined to make the pilgrimage to Jazz in the Vines next year.

Image source: Stephen Katulka

Posted on by Lauren Katulka

Lenka – Lenka

I recently told you how I am in love with Lenka’s new single, “The Show.” But I couldn’t stop there. I needed to know whether this girl was the next big thing, or a one-song sensation. After giving her self-titled solo album a thorough listen, I’m predicting big things from this Aussie ex-pat.

If you love “The Show,” chances are you’re going to love this recording. This hot single gives a great indication of what you’re in for with this recording. Lenka’s sugary sweet vocals are the perfect match for her light, breezy melodies. This is an album of joy, a whimsical collection of songs which is instantly accessible.

That’s not to suggest that Lenka is all sunshine and rainbows. Songs like “Anything I’m Not” and “Trouble Is a Friend” aren’t afraid to explore the darker side of life. But Lenka’s ethereal vocals and indie pop sensibilities ensure the record never gets bogged down by negativity.

The result is the perfect antidote for whatever ails you. It’s an album full of colour and sweetness, which gets richer and more satisfying with every listen.

Image source: Amazon

Posted on by Lauren Katulka

Tony Hadley and Paul Young @ Wests Leagues Club, Newcastle – 22 October 2008

Last night I achieved a childhood dream. I saw Tony Hadley and Paul Young in concert.

Some of my younger readers might be asking “Who?” For their benefit, here’s a history lesson. I was lucky enough to be born in the 1980s. In this glorious decade Paul Young and Tony Hadley topped the charts, Paul with his solo career and Tony as lead singer of Spandau Ballet. These days they’re a bit older, a little heavier, but Paul and Tony are still delivering those hits to their faithful fans.

The show opened with both 80s icons taking the stage for a surprise duet of the Don Henley classic “Boys of Summer.” I was so overwhelmed with seeing both men on stage at once I immediately dug my camera out of my bag. Apparently it didn’t realise what a significant musical moment this was, because it refused to play. I couldn’t believe it. I would love to have a photo to show you, but it just wasn’t to be.

My despair at the camera situation faded though once Tony left the stage to allow Paul to shine in the spotlight. He took us down memory lane early with “Love of the Common People.” Poor Paul’s voice isn’t a patch on what it used to be, but we were happy to sing along loudly and make up for his vocal flaws. He was certainly energetic though, and no one could accuse him of failing to entertain.

After a few solo moments Tony returned to join Paul in his smash hit “Senza Uno Donna.” Then it was Paul’s time to rest while Tony belted out some Spandau Ballet classics. Unlike Paul, Tony was in fine voice. When I was busy swooning over him as a girl I don’t think I realised exactly how well he sings. And for the record, despite the extra kilos he’s gained, Tony Hadley still makes me swoon!

The night continued in much the same vein, with solo hits interspersed with some memorable covers and duets. It was an inspired format which kept the energy levels up and everyone in the room engaged. These guys know they are able to tour today because they had some massive hits twenty years ago. They’re appreciative of their fans’ loyalty, so they’re happy to play the classics the supporters love.

The 80s wasn’t about particularly deep music, but what it lacked in messages it made up for in fun. I had a ball dancing with the other adoring girls up the front, singing along to every word of songs like “Come Back and Stay” and “Gold.”

But what I will remember most about last night is that I heard my favorite song in the world live. That song is “True.” Yes it’s overplayed and overblown, but seeing Tony perform it right there in front of me was something I’ll never forget.

After the show Tony and Paul decided to again thank the fans for their devotion by sticking around for autographs and photos. Again, I cursed my petulant camera. So I don’t have the photo to prove I met my childhood heroes, but I do have this concert ticket. And I have the memory of Tony wrapping me up in a cuddle and kissing me on the cheek!

Tomorrow I will go back to being a serious music journalist. But right now I’m happy to just be a gushing 80s music fan.

Image source: own photo  

Posted on by Lauren Katulka

"Imaginary Things" – Delamare

Some music is so raw with emotion, it seems to bleed from your speakers. Some music is politically charged and written to change the world, or at least the thinking of one listener. And some music is just pure unadulterated fun.

Imaginary Things, the debut EP from Adelaide quintet Delamare, falls into the latter category. It’s not particularly deep or important, but it’s just so joyful you can’t help but smile when you hear it.

This makes the music of Delamare somewhat of a guilty pleasure, like lollies. I tend to expect my music to be a little meatier and more satisfying than this, yet for some reason I keep on listening. In a world where indie pop outfits like Good Charlotte, Fall Out Boy, and Simple Plan dominate the charts, there’s nothing revolutionary about this music. The lyrics are basic at best and cringeworthy at worst. The third track, “Camera Shy Girl” made me laugh out loud with its cheesy lines.

Yet funnily enough, somehow it all works. The vocal harmonies are brilliant and the melodies are addictive. Those North American punk-popsters I mentioned grate on me when I hear them on the radio, yet I happily listened to all five Delamare songs. I even went back for second and third helpings.

Yes Imaginary Things has flaws, but so what? I loved it. If I were a teenage girl watching these five good-looking lads belting out these songs, I imagine I’d fall even harder! This recording isn’t going to change the world, or even your outlook. But it might just brighten your day!

Image source: Delamare MySpace

Posted on by Lauren Katulka

Parx-e – A Compilation of Independent Music

I love a good compilation album. The problem is, there aren’t a lot of those around. Sure you can buy those mindless discs of the latest Top 40 music, but aren’t we all sick of those songs anyway? Then there are those discs which fit a theme, but tend to have all the same songs you own on other albums anyway.

So I was pretty excited when a new compilation album that didn’t fit the mould crossed my desk. Parx-e is a strange name for what turns out to be a brilliant disc. It features some of the best independent music I’ve heard in a long while.

You probably haven’t heard of any of the artists featured here, but that’s part of the fun. They come from all corners of the globe, united by their talent and amazing songs. The tunes are as diverse as the musicians’ backgrounds, which for a music lover like me is really appealing.

I was particularly floored by the American girls it introduced me to. Amanda Rogers reminds me of our own Natalie Imbruglia with her honest lyrics and sweet vocals. Rebecca Loebe’s “As I Tell You So” is like sunshine. I’m also in love with Shannon Curtis’ beautiful “Boomerangs and Arrows.”

But I can’t forget about the strong Aussie contingent. The Wellingtons give a perfect slice of pop-rock with “She Gave Up.” Just try listening to it without smiling. I don’t tend to listen to a lot of country music, but Kate Brianna drew me in with “The Devil Came Back For You.” There’s nothing quite like a woman scorned, is there? The jazzy Jessica McPherson has crafted a wonderful groove in “Flow.”

Parx-e is simply a joy. I have fallen for so many songs here, and I can’t wait to learn more about the artists it’s introduced me to. It’s an unassuming disc, but one that’s definitely worth taking a chance on. Parx-e is available to order through JB Hi Fi and other good record stores.

Image source: Parx-e MySpace

Posted on by Lauren Katulka

Calm Before – Switch 3

This week I’ve been listening to Canberra rock outfit Switch 3’s first full length release, Calm Before. It’s a curious name, as there really isn’t a lot that’s calming about this album. It’s likely to endear them to the angry young kids out there, but it also made it not really my cup of tea.

These indie rockers from Canberra may not become my favourite band, but there’s still plenty to appreciate about in this recording. These lads play with such intensity, committing completely to their songs. That dedication is infectious, and it’s hard not to believe in what they’re doing. Evan Dorrian is a demon on drums, and his driving beats are the perfect complement to Maf Davis’ powerful vocals.

They may have their roots in punk, but their melodic sensibilities are likely to appeal to music lovers who don’t tend to enjoy bands of that genre. They’re a band who stays true to their artistic vision, even having a hand in producing the disc with ARIA award-winner Anton Haggop.

But there’s just not enough variety here for me. I started out enjoying the songs but the repetitive lyrics and melodies made them drag. There was little respite from the angst-ridden tunes, and not enough diversity within them to keep me engaged. Switch 3 are very good at what they do, both as individuals and a band, and I’m sure fans of the darker side of music are going to lap this up. But right now I feel their potential isn’t quite realised. Calm Before is a solid effort from a band that is only going to improve in time.

Image source: Switch 3 MySpace

Posted on by Lauren Katulka

Newton Faulkner and Sara Bareilles @ The Enmore, Sydney – 8th September 2008

Ordinarily when I see a show it’s one that I couldn’t pass up. I may be a music writer, but I won’t go and see just anybody. So when I attend a concert I tend to be a real fan, one of those people who knows all the words to all the songs.

It wasn’t the case last night when I ventured out to catch Sara Bareilles and Newton Faulkner at The Enmore. My wonderful friend Jaime found herself on the guest list and I was lucky enough to be her plus one. We only knew the singles, but we’re both such music fans we were thrilled to see these talented newcomers.

We might have scored comp tickets, but don’t think we were hob-nobbing with the industry elite. They were general admission, a thought which initially made me groan. You know how much I hate standing for an entire show. So it was a pleasant surprise to walk in, find a comfortable position, and stand there happily for the rest of the show. Where was the pushing and obnoxiousness I remember from my general admission days of old? It seemed these punters would much rather listen to the music, dance a little, and not bother anyone else. I’d like to whole heartedly thank the audience for being so brilliant.

With Old Man River a late scratching from the bill, Sara Bareilles was up first. I was utterly transfixed by her. It takes a certain kind of performer to captivate while sitting at a piano, but she pulled it off. There’s a lot more to this girl than “Love Song.” Her songs are accessible yet quirky, a real breath of fresh air. And her personality is so warm. She endeared herself to us all when she said how much she loves Strictly Ballroom, and how starstruck she felt meeting Sonia Kruger. The set was an opportunity to showcase her debut album Little Voice, so it was an unexpected treat to see Sara step away from the piano for an amazing cover of The Beatles “Oh! Darling.” Sara was only the warm-up act, but I was so sorry to see her leave the stage! I may not have known much about her before, but I made sure to grab a copy of her CD from the merch stand.

Sara may be a big star, but Newton Faulkner was clearly the man everyone came to see. The enthusiastic audience joined in singing his songs from the start, embracing this talented Brit and his debut album Hand Built by Robots.

There was a lot that I didn’t realise about Newton Faulkner. I knew he was a good guitarist, but I didn’t realise he was a great one. He uses his instrument as both a melodic and rhythmic one, tapping out the beats while his fingers pluck the notes. He knows what his guitar is capable of, and pushes the envelope to create something amazing. Newton’s not content with just playing a regular acoustic guitar though. He also brought out a child’s guitar for a few songs, including a fun cover of “Blue Shadows” from cult comedy The Three Amigos.

This cover hints at the sort of unexpected comedy I experienced at the show. I had no idea how funny this British star is! He loved playing the unexpected, including a rollicking version of “You Spin Me Round (Like a Record)” and a Latin-inspired take on “Uncomfortably Slow,” complete with a nonsense language! But it wasn’t all fun and games. I appreciated the stories behind the songs, a touch many artists forget but one that brings a live show beyond simply hearing the CD.

Last night I was given the opportunity to experience two of the hottest new names in the music industry. If this is what these artists can produce at the start of their careers, their futures look very bright indeed.

Image source: Stephen Katulka

Posted on by Lauren Katulka

Bimbadgen Blues @ Bimbadgen Estate, Hunter Valley – 6 September 2008

I had been looking forward to Sunday’s Bimbadgen Blues concert for months. I’ve long been a fan of this amazing winery and the relaxed vibe of the concerts it hosts. Yet as the big day approached, my excitement turned to dread. Anyone who lives anywhere close by knows why. The weather was atrocious, with the rain relentless.

As I drove to Newcastle to meet my father, it was no exception. In fact, I didn’t feel comfortable pushing my little Festiva above 90 kays! We both considered not making the trip to the Hunter, but our eternally optimistic natures convinced us to make the trip. I’m so glad we did.

As we approached our Cessnock, the clear skies brightened our moods. It was still a grey dreary and freezing cold morning, but it was at least dry!

Bimbadgen Blues is a different beast than the Day on the Green concerts I’m used to attending at the winery. The obvious contrast is the two stages. It’s a smart move for a concert with such a crowded bill. It allowed us to see full lengths sets of all the artists, rather than only a couple of songs from the lesser known performers. The sets were staggered, so punters could walk between the stages and experience non-stop music. While one band was setting up, there was always another show not too far away.

My dad and I were a little too lazy for that, and we were happy to set up camp at the main stage. The rain had scared away many people, but the enthusiasm of those left made up for it. The wine flowed freely as it always does at these winery shows, but everyone was so well behaved. They danced, they sang, and they had a fantastic time. So too did the performers, who clearly appreciated the fans braving the cold and intermittent rain.

We arrived midway through Mojo Webb’s set. I’d never heard of him before, but this buzzing blues artist has a way of drawing you in. The eclectic tunes were brilliant, with elements of jazz, funk, jungle beats, and even a little bluegrass thrown in. Mojo is a real showman, even stepping down off the stage at one point to get a little closer to the appreciative audience.

Dallas Frasca provided a real change of pace with her bright red dreadlocks, vibrant green dress, and earthy blues sound. Her raspy vocals bear an uncanny resemblance to Janis Joplin, and she’s got the wild stage persona to match. In fact, as fans discarded their shoes to dance in the mud it was easy to imagine we were at Woodstock. Dallas’ voice was amazing and her larger than life personality matched it, but there wasn’t a lot of variety to her set. I’d have loved to hear her belt out something a little more melodic. Perhaps a few Janis classics?

The occasional showers turned to steady rain as Josh Pyke took the stage. But I’d been waiting all day to see this Australian singer-songwriter, and I wasn’t going to let a little rain spoil my fun. He gave everything to the patient and soggy crowd, producing an amazing set filled with old favourites and some exciting new tracks. His poetic lyrics and natural warmth were all the sunshine I needed for that hour and a half.

When Josh left the stage though, I was just wet. Sadly, the rain was getting worse. My father and I tried to wait it out, reasoning that you can’t get any wetter than wet, but it was just far too unpleasant to persevere. Like many, we decided to count our losses and skip out Australian blues legends Chain. I didn’t want to miss their set, but it just wasn’t worth braving the storm any longer.

Bad weather conditions are just the luck of the draw, and it’s a shame that they had to end my Bimbadgen Blues experience prematurely. But as unpleasant as the rain was, I still had an amazing time. The crowd was beautiful. The performers were top notch, and gave us everything they had. The day ran so smoothly despite the terrible weather. The wine was pretty fantastic too. I’ll definitely be back next year. I just hope the sun is shining!

Image source: own photo

Posted on by Lauren Katulka

"Losing Sleep" – Axle Whitehead

I lapped up Axle Whitehead’s singles “I Don’t Do Surprises” and “Anywhere,” so my expectations of his debut album Losing Sleep were pretty high. I’m thrilled to say it didn’t disappoint. In fact, I’ve listened to very little else since its release.

What keeps me coming back time and time again is the sheer variety of material. My first introduction to Axle was as an Australian Idol contestant way back in season one. His jazz leanings alienated the voting audience, who didn’t even send him through to the top 12. Perhaps he’s learned something from that, or perhaps he’s just developed to appreciate a wider collection of sounds. Either way, the eclectic mix here is fantastic.

Losing Sleep opens with a flurry of energy in the form of the “Satellite.” He downshifts a little in the cruisy radio hit “I Don’t Do Surprises,” before slowing it right down with the romantic “You.” Funk, soul, pop, electronica, and even a dash of country grace the recording, and it’s so much richer for it.

This lush album should put to rest talk of Axle simply being a poor man’s Chris Martin. There are vocal similarities – both have pure voices which can sell a lyric. But Axle’s songs are much more vibrant and considerably more accessible than much of Coldplay’s work.

This album will come as a revelation to those who’ve only seen Axle as a disgraced television host or karaoke singer on the first season of Australian Idol. It’s a superb debut, and well worth a listen.

Image source: Axle Whitehead MySpace

Posted on by Lauren Katulka

"The Adventures Of …" – Melanie Horsnell

I loved Melanie Horsnell’s support slot for Jason Mraz, so I was keen to give her debut album The Adventures Of … a spin. Listening to these songs at home, away from the chatter of a restless crowd waiting for the main act, was where they really came alive.

Melanie’s songs stick with you, crawling under your skin and refusing to leave. I recognised many from the Jason Mraz set and found myself humming others after the first listen. All the right ingredients are there.

Melanie is instantly likeable, her lyrics revealing vulnerability, brutal honesty, and wicked sense of humour. Her stories feel at home amongst the notes of her acoustic guitar. We’ve all heard our share of singer-songwriters, but Melanie is a cut above the average.

This album shows an amazing amount of diversity. “I Just Want Some Love” is a pure pop gem. “Pink High Heels” is sassy girl power number which wouldn’t sound out of place at an old-fashioned speakeasy. “Deep Blue Sea” is the sweetest slice of romance.

It’s this variety that gives The Adventures Of … a real enduring charm. I find myself reaching the end only to start it again. That’s the mark of a truly great album. I can’t wait to hear Melanie’s second installment, Complicated Sweetheart, when it’s released in September. If it’s even close to this good, I’m in for a real treat.

Image source: Amazon Japan