Category: Reviews

Posted on by Lauren Katulka

"Good Lovin’" – David Campbell

I received David Campbell’s Good Lovin’ as a Christmas present and I haven’t been able to prise it from my stereo since. I was a big fan of David’s “Swing Sessions” albums, and wondered where he’d take us next. This nostalgic journey to the 1960s was a little unexpected, but it all makes sense.

It’s a real departure from the standards he tackled in the past, but it’s not so far removed that he risks alienating his ever faithful audience. These songs will resonate with the mums and dads who remember the first time they heard them, while David’s younger fans might learn a thing or two about musical history. David’s obviously a fan of the songs he covers and he stays true to the originals, yet the warmth of David’s voice ensures no song ever feels like a carbon copy.

A duet with his own dad, the living legend Jimmy Barnes, on “You’ve Lost That Lovin’ Feelin'” is an obvious standout. But I can’t resist dancing around my loungeroom to “Now That I’ve Found You” and “Jackie Wilson Said.”

Good Lovin’ is fun, pure and simple. Every song is delivered with conviction and a healthy dose of charisma. Receiving it in my stocking has only made me hungrier for that tour in March!

Image source: David Campbell website

Posted on by Lauren Katulka

Howie Day @ Annandale Hotel, Sydney – 28 November 2008

On Friday I made the trip to the Annandale Hotel in Sydney to check out one of my favourite acts in the world, Howie Day.

That my country still hasn’t quite latched onto the music of this talented American is both a blessing and a curse. I’d love to see him in a venue that isn’t quite so cramped, and minus the sticky floors. But I can’t complain too much about the $22 cover charge!

An indulgent Italian meal in Leichardt kept me away from the first support act Fairy Light, but I arrived just in time for Sophie Koh. I’d heard good things about this Melbourne singer-songwriter and she didn’t disappoint. She reminded me a lot of Bic Runga, with a sweet voice and compelling folk melodies. That sounds like the formula of so many girls with guitars, but Sophie’s poetic lyrics and intricate music ensure she stays always just that little bit left of centre. Most of us didn’t know her songs, but she kept us enthralled so that by the time she played Radiohead’s “Creep” we were all happy to sing along.

It was nearly 11 by the time Howie took the stage. I must be getting old, because I was fading. I’m used to concerts that finish at 11, not start. But Howie roused me with a set that was perhaps even better than the last time he graced our shores. He seemed more relaxed this time around, willing to joke around with the audience. We were all with him, laughing as he showed us how he could speak backwards and make uncanny bird noises.

Howie often performs with a full band, but he doesn’t need one. Just as his personality is big enough to fill a stage, so is his sound. He exploits technology, creating loops which allow him to play lead guitar, bass guitar, and percussion all at the same time. It’s clever but never gimmicky, just another colour in Howie Day’s box of crayons.

Once his set was done I just about fell over with exhaustion, knowing I still had to make it home to the Central Coast before I could drop. When I returned to Central station at a little after midnight to find the next train wouldn’t leave until 1:45 am, I nearly cried. But would I do it all again to see a show like Howie’s? In a heartbeat!

Image source: own photo

Posted on by Lauren Katulka

"Curiouser" – Kate Miller-Heidke

Kate Miller-Heidke is one of the most intriguing Australian musicians, so it makes sense that her second album is titled Curiouser.

It’s an eclectic collection of songs, from the sunny pop opener “The One Thing I Know” to the moving ballad “The Last Day on Earth.” The tunes might sound markedly different, but they’re unified by Kate’s clever lyrics and sense of fun.

This is a more commercial affair than Kate’s debut Little Eve, and initially that may disappoint some fans. Her operatic trills are scaled back, and songs like the single “Can’t Shake It” will sound right at home on sandwiched between Britney and Beyonce on the radio. But Kate cleverly stays just left of the mainstream, no matter how close to it she veers. These songs are more accessible to the masses, but they’re still highly original.

The tunes all clock in at around three minutes, helping the disc move at a frantic pace. I needed to play it through three times just to absorb it all, particularly those cheeky lyrics. I think every girl will relate to the sentiments in “God’s Gift to Women” and “I Like You Better When You’re Not Around”!

Kate Miller-Heidke has gone from strength to strength with Curiouser, a complex album that gets richer with every listen. I always knew she was brilliant, but this might just be the CD that convinces the rest of Australia. Take a look at this video for a taste of the album!

Posted on by Lauren Katulka

"Night & Day" – mrben

Sydney rockers mrben will release their debut album Night & Day later this month, but I was lucky enough to get a sneak peek.

The opening track, “Memory,” draws you in with its smouldering verses and blistering chorus. Things slow down a little on “One Man,” but while it’s somewhat calmer the song is certainly no less intense. Ben Wever’s emotive vocals see to that. “When You’re Gone” is sure to become a live favourite with its crunchy guitars and hook-laden lyrics.

This album has been four years in the making, and it shows. Mrben has laid down 11 solid songs that beg to be played again and again. The sound is more polished than most debuts. Clearly those years playing Sydney venues like the Gaelic Club, the Cat & Fiddle, and the Bridge Hotel have served the lads well.

Singer-songwriter Ben Wever enjoys exploring the darker side of the human experience, but the energy behind the songs ensures they never get too gloomy. His raspy vocals wrap around his lyrics with genuine conviction. This is clearly a man who’s really lived. We’ve seen drummer Jeff de Araugo as part of Sarah Blasko’s band, but this meatier material allows him to really let loose. Bassist Leighton Holloway completes the trio, unifying the rich sound.

Sydneysiders can catch mrben launching Night & Day at the Annandale Hotel on Wednesday 19 November.

Image source: mrben website

Posted on by Lauren Katulka

Def Leppard, Cheap Trick, and The Galvatrons @ Brisbane Entertainment Centre, 8 November 2008

As I mentioned earlier, I’ve just returned from a holiday in Brisbane. What was I doing there? Seeing bands of course! When my husband had a lukewarm reaction to Def Leppard and Cheap Trick’s Aussie tour, I decided to hop on a plane and have a girly weekend with my best friend Lisa.

Aussie retro rockers The Galvatrons scored the support slot for this vintage double act, and they couldn’t have been a better fit. Johnny Galvatron is a born performer, with bucketloads of energy and personality. The crowd might not have known most of their songs, but they clapped enthusiastically in time with the music anyway. For a support act to inspire such a response from the crowd is a massive achievement. Look out for these guys. They are so much fun, and they deserve to be huge.

Cheap Trick were up next, with a performance that made me appreciate The Galvatrons that much more. Technically I couldn’t fault them. The set list was jam packed with hits. But that passion, that sense of fun, that energy, was missing. All those elements are needed to really engage a crowd. Guitarist Rick Nielsen did his best to give the show a shot in the arm, but he was just one man and could only do so much. So I happily sang along to “The Flame,” “I Want You to Want Me,” “Dream Police,” and countless other hits but there was always this sense that it could have been so much better. Perhaps these guys have just been doing these same songs for so long they’re tired of them. I think it’s a mark of a great band though to keep that energy level up no matter how many times you’ve performed those hits.

All those things that I felt Cheap Trick lacked, Def Leppard had in spades. Like Cheap Trick, they’ve been around for nearly thirty years. But you wouldn’t know it. Joe Elliott strutted out on the catwalk, every inch the rock star, compelling us to clap along to the smash hit “Rocket.” Those massive songs just kept coming with such passion and enthusiasm it was almost as if they were being played for the first time. The band is filled with amazing musicians who know how to entertain. And the sounds that Rick Allen gets from his drum kit with just one arm would put most two-armed drummers to shame! A highlight of the set was the acoustic section, where the whole auditorium joined in singing “Two Steps Behind” and were just as excited about “Bringin’ on the Heartbreak.” Def Leppard haven’t played in Australia for 16 years, but were genuinely touched that we haven’t forgotten them. When they still play such fun, exciting sets, how could we? When they finished up that last song, a blistering version of “Let’s Get Rocked” we all rose to our feet for the longest standing ovation I can remember. They earned it.

It’s been a long time since I’ve travelled interstate for a show, but the brilliance of The Galvatrons and Def Leppard made it worth my while. I only hope Def Leppard keep their promise and return to our shores soon. Until then, I might just have to check out a few more Galvatrons shows!

Image source: Stephen Katulka

Posted on by Lauren Katulka

Daryl Braithwaite @ Lizotte’s – 1 November 2008

Last night I was back at Lizotte’s. I’m beginning to think I should just set up a bed out back and be done with it! This time I was enticed there by the prospect of seeing Aussie music legend Daryl Braithwaite.

But before all that we were treated to the musical stylings of Jess Locke. I was initially entranced by this folk singer with the pure voice and her quiet acoustic guitar strummings. But pretty soon the lack of variety in her songs made me lose interest. Her introspective tunes were well crafted, but ultimately depressing. When she introduced a track called “Happy Song” I perked up looking forward to the change of pace. Yet as the lyrics told us, she tried to write a happy song but it didn’t work out! Jess has a real talent, but some light and shade would make her music a lot more accessible.

Jess might not know how to have fun, but Daryl sure does. I’m not sure how I’ve made it to my age without seeing him live, but I definitely won’t wait long before repeating the experience. From Sherbet to his solo career, Daryl’s been around for an awfully long time. He’s had hit after hit, and he crammed as many of them as he could into his set.

Daryl’s appeal crosses all generations. My mum used to squeal over him when he was the long-haired frontman of Sherbet, while I remember Rise being one of my primary school soundtracks. No matter when you knew him, his songs are classics ingrained in us all. So it took little prompting for Daryl to engage us all in a little sing-along session.

Iconic tunes like “Howzat,” “One Summer,” and “As The Days Go By” sat comfortably alongside covers of James Reyne’s “Slave” and Free’s “Wishing Well.” Daryl performs with energy and a healthy dose of humour, and as a member of his audience you find yourself having just as much fun as he appears to.

By the closing number, “The Horses,” we were all on our feet and singing raucously. Our applause was enthusiastic and the smiles on our faces wide. After a show like that, it’s not hard to see why Daryl Braithwaite continues to be a strong force in the Australian music industry.

Image source: own photo

Posted on by Lauren Katulka

Live and Local @ Lizotte’s, Kincumber – 29 October 2008

Last night I headed to Lizotte’s to catch their Live and Local music showcase. These nights are a wonderful initiative designed to encourage music fans to get out midweek and discover some wonderful new talent. We were lured there by former Australian Idol contestant Ben McKenzie’s slot on the bill, and were delighted to find he wasn’t the only artist worth seeing.

Joe Kalou was first up with a set of originals peppered with a few crowd-pleasing covers. This was music at its most basic, and its most pure. An acoustic guitar, some cleverly crafted lyrics, and a sweet voice is all you really need to captivate an audience. His flawless good looks don’t hurt either! Joe had the audience in the palm of his hand, and when he broke into his own renditions of Ben Harper’s “Steal My Kisses” and Jason Mraz’s “I’m Yours” we were all happy to sing along.

Hayden French followed with his unique blend of pop, soul, and blues. As I listen back to his recordings on his MySpace I remember just how good his music is, but for some reason his performance didn’t draw me in. Technically Hayden and his band were beyond reproach, but right now they seemed to be missing that X factor. Still, with songs this good it’s only a matter of time before it all clicks. Maybe I’d have been a little more receptive if I wasn’t so tired!

Mark Cashin and The Lil Hussy’s woke me up with their explosive rock numbers. These guys were a real surprise package. They took the stage looking like they’d just stepped off a pirate ship, but delivered surprisingly rich acoustic rock numbers in the vein of Fuel or Stone Temple Pilots. Mark Cashin is a charismatic frontman, and his supporting musicians are all top notch. All the right elements were there, and I was sorry to see their set end.

Ben McKenzie closed the show with a set that can only be described as sublime. Ben first captivated me on the last season of Australian Idol. He’s clearly left the show behind him though, relishing the opportunity to perform his originals. He still dabbles in cover versions, but they’re more obscure choices than the judges would ever approve of. Songs by George, Angus & Julia Stone, and Brooke Fraser seem right at home next to Ben’s own lush compositions. He becomes one with the piano, and it’s impossible to look away. Again, Ben’s set was over far too soon.

With bellies full of delicious Lizotte’s food and our heads full of such amazing music, my husband and I left determined to visit another Live and Local showcase. What a wonderful way to break up your working week! Click here to see who’s playing at the next one!

I know we aren’t all lucky enough to live close to Lizotte’s, so here’s a video of one of Ben’s original songs for all those fans out there!

Image source: Stephen Katulka

Posted on by Lauren Katulka

Jazz in the Vines @ Tyrells Winery, Hunter Valley – 25 October 2008

Rain plagued New South Wales last week. But it was almost as if the weather gods knew that I was heading to Jazz in the Vines at Tyrells Winery on Saturday, because those storm clouds disappeared to reveal a glorious day. The sunshine was just the first thing that went right that day.

We arrived with just enough time to set up our deck chairs and purchase a bottle of verdelho from one of the six wineries on hand before the entertainment began. We settled in to enjoy the instrumental brilliance of Newcastle jazz outfit the Adam Miller Band. Adam Miller is a charismatic front man, open with the crowd and keen to share the stories of the tunes he’s written. With an understanding of the meaning behind the melodies, I found myself engaged from the start of his set to the end.

The dual stage set-up meant that we didn’t have to wait long for the Royal Australian Air Force band, Force 10. I expected a traditional brass sound as regimented as their uniforms, but was pleasantly surprised at their sense of fun. We happily sang along to big band classics like “World on a String” and “Under My Skin.” There’s a reason why these songs from the 20s and 30s are classics, and jazz fans young and old ate them up. The combination of booming drums, rich brass instruments, a tinkling piano and velvety smooth vocals was heavenly. Needless to say, Force 10 were an unexpected joy.

I’ve been a big fan of Australian soul legend Renee Geyer for as long as I can remember. I’ve seen countless shows over the years, but for some reason this set didn’t come quite up to par for me. Her sultry voice was in fine form, and she delivered hit after hit including “Heading in the Right Direction” and “Say I Love You.” But her snotty attitude took a little of the gloss off. Renee complained about the cameramen filming her, whining that she wasn’t dressed well enough. The cameramen complied to placate her diva behaviour, and the big screens were promptly switched off. I was close enough to the stage to see Renee, but I’m sure the people perched up the back of the vineyard didn’t appreciate her bitching. Renee could have taken a lesson from the music fans dancing freely in front of her; she really needed to lighten up and just have some fun!

Someone who does know how to have fun is James Morrison, who took to the stage with his brother John Morrison’s Swing City Big Band. Who else can get away with a fast and furious rendition of The Flintstone’s theme, complete with a little audience participation? James wowed us with jazz and Latin standards delivered with intensity and abandon. The highlight was when he took a trumpet in one hand and a trombone in the other, and took turns playing some wild one-handed licks. I guess he really does have more musical talent in one hand than I do in my entire body!

John and his band stuck around to support Glenn Shorrock. This Aussie music legend drew from his own extensive back catalogue and some classic jazz standards for an unforgettable set. Anyone who wasn’t already dancing soon found their feet when Glenn belted out the hits from Little River Band, Axiom, and the big band masters. We all knew every word to every song, and sung along enthusiastically. I can’t believe it’s taken me this long to catch my first Glenn Shorrock show. It definitely won’t be the last.

American expat Lisa Hunt closed the show with a set jam-packed with soul classics. From Motown to the disco dance halls, Lisa ensured we all had a good time. I never thought I’d see someone best Renee Geyer, but Lisa’s joy and utter abandon made this set so much more enjoyable. My feet were sore, and I was a little hot and sweaty by the close, but I left determined to make the pilgrimage to Jazz in the Vines next year.

Image source: Stephen Katulka

Posted on by Lauren Katulka

Lenka – Lenka

I recently told you how I am in love with Lenka’s new single, “The Show.” But I couldn’t stop there. I needed to know whether this girl was the next big thing, or a one-song sensation. After giving her self-titled solo album a thorough listen, I’m predicting big things from this Aussie ex-pat.

If you love “The Show,” chances are you’re going to love this recording. This hot single gives a great indication of what you’re in for with this recording. Lenka’s sugary sweet vocals are the perfect match for her light, breezy melodies. This is an album of joy, a whimsical collection of songs which is instantly accessible.

That’s not to suggest that Lenka is all sunshine and rainbows. Songs like “Anything I’m Not” and “Trouble Is a Friend” aren’t afraid to explore the darker side of life. But Lenka’s ethereal vocals and indie pop sensibilities ensure the record never gets bogged down by negativity.

The result is the perfect antidote for whatever ails you. It’s an album full of colour and sweetness, which gets richer and more satisfying with every listen.

Image source: Amazon

Posted on by Lauren Katulka

Tony Hadley and Paul Young @ Wests Leagues Club, Newcastle – 22 October 2008

Last night I achieved a childhood dream. I saw Tony Hadley and Paul Young in concert.

Some of my younger readers might be asking “Who?” For their benefit, here’s a history lesson. I was lucky enough to be born in the 1980s. In this glorious decade Paul Young and Tony Hadley topped the charts, Paul with his solo career and Tony as lead singer of Spandau Ballet. These days they’re a bit older, a little heavier, but Paul and Tony are still delivering those hits to their faithful fans.

The show opened with both 80s icons taking the stage for a surprise duet of the Don Henley classic “Boys of Summer.” I was so overwhelmed with seeing both men on stage at once I immediately dug my camera out of my bag. Apparently it didn’t realise what a significant musical moment this was, because it refused to play. I couldn’t believe it. I would love to have a photo to show you, but it just wasn’t to be.

My despair at the camera situation faded though once Tony left the stage to allow Paul to shine in the spotlight. He took us down memory lane early with “Love of the Common People.” Poor Paul’s voice isn’t a patch on what it used to be, but we were happy to sing along loudly and make up for his vocal flaws. He was certainly energetic though, and no one could accuse him of failing to entertain.

After a few solo moments Tony returned to join Paul in his smash hit “Senza Uno Donna.” Then it was Paul’s time to rest while Tony belted out some Spandau Ballet classics. Unlike Paul, Tony was in fine voice. When I was busy swooning over him as a girl I don’t think I realised exactly how well he sings. And for the record, despite the extra kilos he’s gained, Tony Hadley still makes me swoon!

The night continued in much the same vein, with solo hits interspersed with some memorable covers and duets. It was an inspired format which kept the energy levels up and everyone in the room engaged. These guys know they are able to tour today because they had some massive hits twenty years ago. They’re appreciative of their fans’ loyalty, so they’re happy to play the classics the supporters love.

The 80s wasn’t about particularly deep music, but what it lacked in messages it made up for in fun. I had a ball dancing with the other adoring girls up the front, singing along to every word of songs like “Come Back and Stay” and “Gold.”

But what I will remember most about last night is that I heard my favorite song in the world live. That song is “True.” Yes it’s overplayed and overblown, but seeing Tony perform it right there in front of me was something I’ll never forget.

After the show Tony and Paul decided to again thank the fans for their devotion by sticking around for autographs and photos. Again, I cursed my petulant camera. So I don’t have the photo to prove I met my childhood heroes, but I do have this concert ticket. And I have the memory of Tony wrapping me up in a cuddle and kissing me on the cheek!

Tomorrow I will go back to being a serious music journalist. But right now I’m happy to just be a gushing 80s music fan.

Image source: own photo