"Imaginary Things" – Delamare

Some music is so raw with emotion, it seems to bleed from your speakers. Some music is politically charged and written to change the world, or at least the thinking of one listener. And some music is just pure unadulterated fun.

Imaginary Things, the debut EP from Adelaide quintet Delamare, falls into the latter category. It’s not particularly deep or important, but it’s just so joyful you can’t help but smile when you hear it.

This makes the music of Delamare somewhat of a guilty pleasure, like lollies. I tend to expect my music to be a little meatier and more satisfying than this, yet for some reason I keep on listening. In a world where indie pop outfits like Good Charlotte, Fall Out Boy, and Simple Plan dominate the charts, there’s nothing revolutionary about this music. The lyrics are basic at best and cringeworthy at worst. The third track, “Camera Shy Girl” made me laugh out loud with its cheesy lines.

Yet funnily enough, somehow it all works. The vocal harmonies are brilliant and the melodies are addictive. Those North American punk-popsters I mentioned grate on me when I hear them on the radio, yet I happily listened to all five Delamare songs. I even went back for second and third helpings.

Yes Imaginary Things has flaws, but so what? I loved it. If I were a teenage girl watching these five good-looking lads belting out these songs, I imagine I’d fall even harder! This recording isn’t going to change the world, or even your outlook. But it might just brighten your day!

Image source: Delamare MySpace

Parx-e – A Compilation of Independent Music

I love a good compilation album. The problem is, there aren’t a lot of those around. Sure you can buy those mindless discs of the latest Top 40 music, but aren’t we all sick of those songs anyway? Then there are those discs which fit a theme, but tend to have all the same songs you own on other albums anyway.

So I was pretty excited when a new compilation album that didn’t fit the mould crossed my desk. Parx-e is a strange name for what turns out to be a brilliant disc. It features some of the best independent music I’ve heard in a long while.

You probably haven’t heard of any of the artists featured here, but that’s part of the fun. They come from all corners of the globe, united by their talent and amazing songs. The tunes are as diverse as the musicians’ backgrounds, which for a music lover like me is really appealing.

I was particularly floored by the American girls it introduced me to. Amanda Rogers reminds me of our own Natalie Imbruglia with her honest lyrics and sweet vocals. Rebecca Loebe’s “As I Tell You So” is like sunshine. I’m also in love with Shannon Curtis’ beautiful “Boomerangs and Arrows.”

But I can’t forget about the strong Aussie contingent. The Wellingtons give a perfect slice of pop-rock with “She Gave Up.” Just try listening to it without smiling. I don’t tend to listen to a lot of country music, but Kate Brianna drew me in with “The Devil Came Back For You.” There’s nothing quite like a woman scorned, is there? The jazzy Jessica McPherson has crafted a wonderful groove in “Flow.”

Parx-e is simply a joy. I have fallen for so many songs here, and I can’t wait to learn more about the artists it’s introduced me to. It’s an unassuming disc, but one that’s definitely worth taking a chance on. Parx-e is available to order through JB Hi Fi and other good record stores.

Image source: Parx-e MySpace

Calm Before – Switch 3

This week I’ve been listening to Canberra rock outfit Switch 3’s first full length release, Calm Before. It’s a curious name, as there really isn’t a lot that’s calming about this album. It’s likely to endear them to the angry young kids out there, but it also made it not really my cup of tea.

These indie rockers from Canberra may not become my favourite band, but there’s still plenty to appreciate about in this recording. These lads play with such intensity, committing completely to their songs. That dedication is infectious, and it’s hard not to believe in what they’re doing. Evan Dorrian is a demon on drums, and his driving beats are the perfect complement to Maf Davis’ powerful vocals.

They may have their roots in punk, but their melodic sensibilities are likely to appeal to music lovers who don’t tend to enjoy bands of that genre. They’re a band who stays true to their artistic vision, even having a hand in producing the disc with ARIA award-winner Anton Haggop.

But there’s just not enough variety here for me. I started out enjoying the songs but the repetitive lyrics and melodies made them drag. There was little respite from the angst-ridden tunes, and not enough diversity within them to keep me engaged. Switch 3 are very good at what they do, both as individuals and a band, and I’m sure fans of the darker side of music are going to lap this up. But right now I feel their potential isn’t quite realised. Calm Before is a solid effort from a band that is only going to improve in time.

Image source: Switch 3 MySpace

Newton Faulkner and Sara Bareilles @ The Enmore, Sydney – 8th September 2008

Ordinarily when I see a show it’s one that I couldn’t pass up. I may be a music writer, but I won’t go and see just anybody. So when I attend a concert I tend to be a real fan, one of those people who knows all the words to all the songs.

It wasn’t the case last night when I ventured out to catch Sara Bareilles and Newton Faulkner at The Enmore. My wonderful friend Jaime found herself on the guest list and I was lucky enough to be her plus one. We only knew the singles, but we’re both such music fans we were thrilled to see these talented newcomers.

We might have scored comp tickets, but don’t think we were hob-nobbing with the industry elite. They were general admission, a thought which initially made me groan. You know how much I hate standing for an entire show. So it was a pleasant surprise to walk in, find a comfortable position, and stand there happily for the rest of the show. Where was the pushing and obnoxiousness I remember from my general admission days of old? It seemed these punters would much rather listen to the music, dance a little, and not bother anyone else. I’d like to whole heartedly thank the audience for being so brilliant.

With Old Man River a late scratching from the bill, Sara Bareilles was up first. I was utterly transfixed by her. It takes a certain kind of performer to captivate while sitting at a piano, but she pulled it off. There’s a lot more to this girl than “Love Song.” Her songs are accessible yet quirky, a real breath of fresh air. And her personality is so warm. She endeared herself to us all when she said how much she loves Strictly Ballroom, and how starstruck she felt meeting Sonia Kruger. The set was an opportunity to showcase her debut album Little Voice, so it was an unexpected treat to see Sara step away from the piano for an amazing cover of The Beatles “Oh! Darling.” Sara was only the warm-up act, but I was so sorry to see her leave the stage! I may not have known much about her before, but I made sure to grab a copy of her CD from the merch stand.

Sara may be a big star, but Newton Faulkner was clearly the man everyone came to see. The enthusiastic audience joined in singing his songs from the start, embracing this talented Brit and his debut album Hand Built by Robots.

There was a lot that I didn’t realise about Newton Faulkner. I knew he was a good guitarist, but I didn’t realise he was a great one. He uses his instrument as both a melodic and rhythmic one, tapping out the beats while his fingers pluck the notes. He knows what his guitar is capable of, and pushes the envelope to create something amazing. Newton’s not content with just playing a regular acoustic guitar though. He also brought out a child’s guitar for a few songs, including a fun cover of “Blue Shadows” from cult comedy The Three Amigos.

This cover hints at the sort of unexpected comedy I experienced at the show. I had no idea how funny this British star is! He loved playing the unexpected, including a rollicking version of “You Spin Me Round (Like a Record)” and a Latin-inspired take on “Uncomfortably Slow,” complete with a nonsense language! But it wasn’t all fun and games. I appreciated the stories behind the songs, a touch many artists forget but one that brings a live show beyond simply hearing the CD.

Last night I was given the opportunity to experience two of the hottest new names in the music industry. If this is what these artists can produce at the start of their careers, their futures look very bright indeed.

Image source: Stephen Katulka

Bimbadgen Blues @ Bimbadgen Estate, Hunter Valley – 6 September 2008

I had been looking forward to Sunday’s Bimbadgen Blues concert for months. I’ve long been a fan of this amazing winery and the relaxed vibe of the concerts it hosts. Yet as the big day approached, my excitement turned to dread. Anyone who lives anywhere close by knows why. The weather was atrocious, with the rain relentless.

As I drove to Newcastle to meet my father, it was no exception. In fact, I didn’t feel comfortable pushing my little Festiva above 90 kays! We both considered not making the trip to the Hunter, but our eternally optimistic natures convinced us to make the trip. I’m so glad we did.

As we approached our Cessnock, the clear skies brightened our moods. It was still a grey dreary and freezing cold morning, but it was at least dry!

Bimbadgen Blues is a different beast than the Day on the Green concerts I’m used to attending at the winery. The obvious contrast is the two stages. It’s a smart move for a concert with such a crowded bill. It allowed us to see full lengths sets of all the artists, rather than only a couple of songs from the lesser known performers. The sets were staggered, so punters could walk between the stages and experience non-stop music. While one band was setting up, there was always another show not too far away.

My dad and I were a little too lazy for that, and we were happy to set up camp at the main stage. The rain had scared away many people, but the enthusiasm of those left made up for it. The wine flowed freely as it always does at these winery shows, but everyone was so well behaved. They danced, they sang, and they had a fantastic time. So too did the performers, who clearly appreciated the fans braving the cold and intermittent rain.

We arrived midway through Mojo Webb’s set. I’d never heard of him before, but this buzzing blues artist has a way of drawing you in. The eclectic tunes were brilliant, with elements of jazz, funk, jungle beats, and even a little bluegrass thrown in. Mojo is a real showman, even stepping down off the stage at one point to get a little closer to the appreciative audience.

Dallas Frasca provided a real change of pace with her bright red dreadlocks, vibrant green dress, and earthy blues sound. Her raspy vocals bear an uncanny resemblance to Janis Joplin, and she’s got the wild stage persona to match. In fact, as fans discarded their shoes to dance in the mud it was easy to imagine we were at Woodstock. Dallas’ voice was amazing and her larger than life personality matched it, but there wasn’t a lot of variety to her set. I’d have loved to hear her belt out something a little more melodic. Perhaps a few Janis classics?

The occasional showers turned to steady rain as Josh Pyke took the stage. But I’d been waiting all day to see this Australian singer-songwriter, and I wasn’t going to let a little rain spoil my fun. He gave everything to the patient and soggy crowd, producing an amazing set filled with old favourites and some exciting new tracks. His poetic lyrics and natural warmth were all the sunshine I needed for that hour and a half.

When Josh left the stage though, I was just wet. Sadly, the rain was getting worse. My father and I tried to wait it out, reasoning that you can’t get any wetter than wet, but it was just far too unpleasant to persevere. Like many, we decided to count our losses and skip out Australian blues legends Chain. I didn’t want to miss their set, but it just wasn’t worth braving the storm any longer.

Bad weather conditions are just the luck of the draw, and it’s a shame that they had to end my Bimbadgen Blues experience prematurely. But as unpleasant as the rain was, I still had an amazing time. The crowd was beautiful. The performers were top notch, and gave us everything they had. The day ran so smoothly despite the terrible weather. The wine was pretty fantastic too. I’ll definitely be back next year. I just hope the sun is shining!

Image source: own photo

"Losing Sleep" – Axle Whitehead

I lapped up Axle Whitehead’s singles “I Don’t Do Surprises” and “Anywhere,” so my expectations of his debut album Losing Sleep were pretty high. I’m thrilled to say it didn’t disappoint. In fact, I’ve listened to very little else since its release.

What keeps me coming back time and time again is the sheer variety of material. My first introduction to Axle was as an Australian Idol contestant way back in season one. His jazz leanings alienated the voting audience, who didn’t even send him through to the top 12. Perhaps he’s learned something from that, or perhaps he’s just developed to appreciate a wider collection of sounds. Either way, the eclectic mix here is fantastic.

Losing Sleep opens with a flurry of energy in the form of the “Satellite.” He downshifts a little in the cruisy radio hit “I Don’t Do Surprises,” before slowing it right down with the romantic “You.” Funk, soul, pop, electronica, and even a dash of country grace the recording, and it’s so much richer for it.

This lush album should put to rest talk of Axle simply being a poor man’s Chris Martin. There are vocal similarities – both have pure voices which can sell a lyric. But Axle’s songs are much more vibrant and considerably more accessible than much of Coldplay’s work.

This album will come as a revelation to those who’ve only seen Axle as a disgraced television host or karaoke singer on the first season of Australian Idol. It’s a superb debut, and well worth a listen.

Image source: Axle Whitehead MySpace

"The Adventures Of …" – Melanie Horsnell

I loved Melanie Horsnell’s support slot for Jason Mraz, so I was keen to give her debut album The Adventures Of … a spin. Listening to these songs at home, away from the chatter of a restless crowd waiting for the main act, was where they really came alive.

Melanie’s songs stick with you, crawling under your skin and refusing to leave. I recognised many from the Jason Mraz set and found myself humming others after the first listen. All the right ingredients are there.

Melanie is instantly likeable, her lyrics revealing vulnerability, brutal honesty, and wicked sense of humour. Her stories feel at home amongst the notes of her acoustic guitar. We’ve all heard our share of singer-songwriters, but Melanie is a cut above the average.

This album shows an amazing amount of diversity. “I Just Want Some Love” is a pure pop gem. “Pink High Heels” is sassy girl power number which wouldn’t sound out of place at an old-fashioned speakeasy. “Deep Blue Sea” is the sweetest slice of romance.

It’s this variety that gives The Adventures Of … a real enduring charm. I find myself reaching the end only to start it again. That’s the mark of a truly great album. I can’t wait to hear Melanie’s second installment, Complicated Sweetheart, when it’s released in September. If it’s even close to this good, I’m in for a real treat.

Image source: Amazon Japan

Jason Mraz @ The Enmore, Sydney – 9 August 2008

Last night I headed to Newtown to catch Jason Mraz at The Enmore. The theatre was cleverly organized so all the fans could experience the concert their way. The seats in the floor section were cleared out to make way for those enthusiastic young girls who wanted to dance and sing along with their idol. Up in the dress circle the vibe was a lot more mellow, with seats allowing us older folks to properly relax to Mraz’s laidback grooves.

But before all that we were treated to a set from Melanie Horsnell. I’d heard her name before but never any of her music, so I was keen to see what she could do. I was impressed with her instantly accessible lyrics and rich country-tinged voice. Although, as seems to be a common complaint with me, I really could have done without the chatter in the room. Am I the only person who listens to support acts any more? The audience did seem to take a little more notice when she performed a breathtaking acoustic version of Bernard Fanning’s “Songbird,” but this focus was short lived. It’s a shame because she was really very good.

All the chatter was replaced with rapturous applause once Jason Mraz stepped out. He drew everyone in with his easy personality and warmth and didn’t let go. This was my third time seeing him live, but with the first with the full band set up. It’s something I wasn’t sure about as I tend to prefer acoustic sets, but in the end I needn’t have worried. The set was lush and varied. Some songs utilised all the instruments and they were richer for it, while for other songs he knew all they needed was an acoustic guitar.

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James Reyne @ Lizotte’s, Kincumber – 12 July 2008

Last night I headed out to my favourite venue, Lizotte’s, to see one of my favourite performers, James Reyne. The reasons why I love both venue and performer so much are similar: they deliver exceptional quality each and every time.

So I was in a good mood long before James took to the stage. It might have had something to do with the exquisite barramundi spring rolls and herbed rack of lamb I devoured, or the good company of my husband and parents, or the delicious pinot grigio we were all drinking. Nevertheless, when the support act Lianna Rose stepped out we were ready to have a good time.

Lianna was excellent, a storyteller with a rock rasp. She reminded me a little of Sheryl Crow with her knowing way and earnest performance. Her cover version of “Time After Time” was a highlight for me, but I also adored her originals. It’s just a shame that the folks sitting at the tables surrounding us didn’t make the effort to listen to her. Trying to hear her over their chatter was a little frustrating.

Thankfully they gave more attention to Mr Reyne. It’s been years since I’ve seen him perform with a full band, and Lizotte’s is the perfect setting for that acoustic mode he favours. Stripped back with two backup singers and a handful of acoustic guitars, these classic songs and their words become the focus.

And what classics they are. We joined James on tracks like “Slave,” “One More River,” “Way Out West,” “Hammerhead,” “Errol,” “Fall Of Rome” and “Reckless.” It’s impossible not to have a wonderful time with a soundtrack like that. James is one of those performers who loves to sing the songs we love to hear, which is why I keep coming back time and time again.

Image source: Mandy Hall @ Wikimedia Commons

"Some Stranger's Ship" – Tim Loydell & the Deckchairs

Lately I’ve been grooving to local blues and roots outfit Tim Loydell & the Deckchairs. It’s an appropriate name for aSome Stranger’s Ship cover band who provide the perfect soundtrack for a mellow weekend.

Their debut EP is called Some Stranger’s Ship, and it’s a superb showcase for this talented Queensland quartet. It all starts with the brilliant “Morning Star,” a hooky modern love song which shows real romance with all its quirks and flaws.

Tim’s husky voice is an ideal fit for the dirty blues rock blend of “Cruisin’,” his sexy rasp sitting perfectly amongst the wailing guitars.

These musicians are first class and it’s never more evident than on “My Oh My,” a driving number which wouldn’t sound out of place on the next John Butler Trio album.

There are just six tracks on Some Stranger’s Ship, but it feels more like an album than an EP. There are no three-second pop songs for these lads. Instead each song has a depth and complexity that ensures you’ll get something new from this release every time you listen to it.

Image source: Keytone.com