Woolyungah/Wollongong band Lizzie Jack and the Beanstalks have just dropped the video for their latest single “Dumb Decisions,” and it’s a love song with a different. Sweet without the saccharine, it celebrates the risky decision to get romantically involved with a friend.
This is the first song featuring the band’s new drummer Paul Pozzachio, who’s slotted in nicely alongside vocalist Lizzie Jack, lead guitarist Alex Fordyce, and bassist Jayke Beckette. I love the jangly 90s feel and relatable storyteller lyrics.
Lizzie Jack and the Beanstalks will open up the RAD Stage at the Yours & Owls Festival on October 15, so if you’re getting along make sure you catch their set!
Image used with permission from Lizzie Jack and the Beanstalks
We don’t often hear queer voices like Michael Waugh’s. His brand of country-folk is a world away from the pop and dance tracks that usually come from the LGBTQIA+ community, and it makes a refreshing change. His new single “We Are Here” is a powerful anthem that celebrates gay pioneers while acknowledging the hardships so many faced, including Michael himself. Take a moment to properly listen to this song. Trust me, you’ll want to take these lyrics in.
“I want to celebrate those gay men through history – many of whom risked their lives – so that I can stand here today, wearing my rainbow elastic-panelled Blundstone boots, and speak my truth,” he explained.
“What made it safe for me to come out was having other queer artists and storytellers who were unafraid to speak their truth. You can’t be what you can’t see, right? So, I had this really ambitious idea when writing ‘We Are Here’. I wanted to talk about the history of gay men, and to include myself as a point on that timeline. I also wanted to let the next generation know that we are here, we are waiting to be their community, and that they are loved.”
Michael is currently touring from town to town, busting stereotypes everywhere he plays. Here are his upcoming gigs:
7 & 8 October 2023– Nanga Music Festival, Noongar Country/Dwellingup
13 October 2023 – Stratford Courthouse, Brayakaulung Country/Stratford
15 October 2023 – Wesley of Warragul, Darug Country/Warragul
Image used with permission from Wildheart Publicity
Eora/Sydney artist Dinley Jones is giving me late ‘90s, early 00’s vibes with his fun new pop single “Get Down, Right Now.” If you blasted acts like Backstreet Boys, NSYNC, and 5ive back in the day, you’re going to love this one.
Dinley started his career in musical theatre at the tender age of 13, which explains the fire dance moves in the clip. It’s been a long time since we’ve had an artist like this on the scene. Only time will tell whether the scene has moved on from music like this, but I’d love to think there’s still a place for something so purely nostalgic.
Normally the press release that accompanies the launch of a single contains information about the song and the artist. There’ll usually be quotes from the musician about the track’s inspiration, the recording process, and its video. There might even be some tour dates or information about the album to come. There are probably images attached so press outlets like mine can include them in our articles and catch your eye.
The press release of Paul Kelly’s new single “If Not Now” doesn’t have any of that. Instead, it just contains the lyrics of this song. As you listen to this one, it makes perfect sense. Honestly, the words to this song are all that matter. They speak for themselves, a call to all Australians to make change today. Or at least when we head to the ballot boxes on October 14.
These Voice-inspired songs are coming thick and fast at the moment, and I love it. The best art has something to say. When it can inspire us, immobilise us, perhaps even change our hearts and minds, it’s done its job.
In case you were wondering, Paul does have some upcoming shows. Check him out when he plays near you:
Boorloo/Perth talent Skyuka first caught my attention with her upbeat indie-pop ditty “Michael Cera.” It was playful and sweet, and not at all like her latest single “Houseplants.” We love peeling back the layers of an artist, so we’re pretty psyched to her switching things up with this brooding, angsty track.
“‘Houseplants’ is definitely the first angry song I’ve released, and it feels great,” she enthused. “It’s about having complete, utter disappointment in someone and a lack of communication making you question everything to the point that you drive yourself crazy, creating your own narratives that may not even exist. ‘Houseplants’ originally started with just a bass line that I wrote and from there came the melody quite easily. I was having a terrible night mentally, so the salty lyrics just poured out of me. I then programmed some synth and recorded my vocals from home. My brother (Token Friend) put down live bass and guitar; and did a lot of layering in parts to really build the tension. We both then went to Debaser Studios with Jasper Emmitt Miller who put down live drums. We were very grateful to then have Andy Lawson steer the track in the right direction with his production and mixing skills.”
There’s more new music from Skyuka on the way with her EP slated for release later this year.
If you’re struggling to transition back to the grind after the long weekend, turn up “Four Leaf Clover”, the latest track by Tandanya/Adelaide-based pop-punk act Down and Out. Trust me, this energetic track, featuring Kellin Quinn from Sleeping with Sirens, will do more for you than any cup of coffee.
“The song is about getting into a relationship with someone that you know you shouldn’t; the sort of person that makes you think, ‘yeah, they’re gonna ruin my life’. Then guess what?! SURPRISE – they ruin your life!” the band said. “ I mean, you can kind of blame them, but you’ve also gotta blame yourself for walking into oncoming traffic despite all the very obvious red flags all over the road and the barricades that were attempting to stop you from making terrible decisions. So, yeah, the song is about a person that I knew was going to ruin my life, but I went ahead and let them, and now I’ve gotta take accountability for the choices that I made to get myself into that situation.”
Fresh from playing shows with Drastic Park, Down and Out have a few headlining gigs coming up. Catch them doing their thing at the following shows:
20 October 2023 – Pub Rock Diner, Palawa Country/Devonport
21 October 2023 – Altar, Nipaluna/Hobart
18 November 2023 – The Vanguard, Eora/Sydney
Meeanjin/Brisbane artist Paulina proves she’s one of the best neo-soul talents in the country with the release of her stunning new single “Give It All.” Notice I didn’t just say she’s one of the best neo-soul voices we have. That’s a given of course. You know within the first few notes that her rich voice is exceptional. But it’s the way that Paulina backs up that voice with songs of real depth that impresses me. This song is an exploration of the grief that never quite leaves you when you lose someone significant. You don’t just hear that loss when you listen to this song. You feel it.
“The music video explores stages of grief – specifically an older girl grieving her childhood best friend who unfortunately passed away. This future and older version of me is seen walking through my own memories of my younger self and my childhood best friend, playing in the front yard, whilst I’m reminiscing on those days and reflecting on how things have since changed,” Paulina explained. “Certain clips within the video depict how those memories haunt me at times, which is further accentuated when the little kids run into the house, and I frantically look for them inside but they are nowhere to be found. When you’re grieving a huge loss, it can sometimes be hard to decipher past memories from your reality, and that’s what this music video is all about.”
Let this release serve as a reminder to check out Paulina’s gorgeous EP Just Know, It’ll Be Okay. It’s out now.
Angie McMahon’s upcoming album Light, Dark, Light Again promises some very revealing, personal songs. It’s not here yet, but I predict her latest single “Fireball Whiskey” will be one of the highlights. It’s so intimate, with confessional lyrics about managing anxiety that really shine against its minimalist musical backdrop. After it fades out, don’t be surprised if you have to take a moment to take it all in before rejoining the world.
“‘Fireball Whiskey’ touches on using alcohol to navigate my anxiety, and also just realising over time that caring for your mental health is so important and will affect the way you can love and be with people,” she admitted. “I think I’m afraid of change and didn’t know that about myself, but the process of writing this one helped bring it to light.”
Angie took charge of the video, editing footage captured by friends on lands belonging to the Wurundjeri and Bunurong peoples of the Kulin Nation and the Chumash tribe in California.
“I’ve never edited a video before, but I used this Handycam footage taken by my friends to try and tell a visual story of dancing and swaying myself out of the darkness,” she said. “Travelling to this mountain range outside of Ojai felt like visiting a place where all my silly little worries and bruises could be transformed into something open and time could be suspended and I could empty everything out again, and that’s the reward for leaving behind what I loved but wasn’t right for me.”
Angie wraps up a string of sold-out shows here and overseas with a gig in Naarm/Melbourne tonight. You might not be able to score tickets now, but I’ll be surprised if she doesn’t announce more local shows to coincide with the album’s release on October 27. Watch this space.
Image used with permission from Super Duper; credit: Taylor Ranston
If you’ve ever felt like pursuing your goals put you out of step with society, GRXCE’s latest single “Everything I Wanted” is bound to resonate with you. It’s an angsty indie pop-rock track which reminds me of grungy female-fronted ‘90s acts like The Julianna Hatfield Three and Veruca Salt, in the best possible way.
“‘Everything I Wanted’ depicts the catastrophisation of the future and the different paths life can take both you and the people around you,” explained GRXCE’s frontwoman, Jamila. “When I wrote this track I was very much grappling with how I pictured my life evolving overtime and my limitations I felt were imposed on me as a woman when choosing my career as a priority over the usual expectations to be a partner, or a mother, or a wife.”
“Everything I Wanted” has a big sound, with layered guitars and bold percussion, but it took some time to get it from the home studio of band member Alex Berger to the track it is today.
“We tracked all the instrumental and vocal parts in Alex’s home studio in his bedroom in Camperdown over the course of a few weeks. In between sessions we had zoom calls with Jackson [Barclay, producer] to hear feedback and discuss the track before jumping back in,” Jamila added. “Finally we travelled up to Gosford and spent a day in Jackson’s home studio to put the finishing touches on the song.”
GRXCE are currently playing shows around the country. Catch them at the following venues:
29 September 2023 – Black Bear Lodge, Meeanjin/Brisbane QLD (supporting Dusty)
6 October 2023 – OAF Gallery, Eora/Sydney NSW (HEADLINE SHOW)
Image used with permission from Habit Music; credit: Sevin Pakbaz
Remember Lenka? Even if you don’t remember the name, I know you’ll remember her smash 2008 single “The Show.” It’s been a long time since she made an impact on the charts, but if there’s any justice she should do it again with her latest single “Silhouette.” This nostalgic 80s throwback is so much fun, just like the best pop songs should be!
“This song is my delicious 1980s pop jam about being worn down by life to the point where you feel like you’re disappearing and becoming numb. Almost a nihilistic feeling, but in a joyful way!” Lenka enthused. “It’s fun to get creative with your more negative emotions and wear them like a costume, turn them into armour.”
The video continues the 80s vibes, with Lenka taking inspiration from pop icons like Annie Lennox, Whitney Houston, and Madonna.
“This was such a fun video to shoot. The goal was to evoke the feel of 80s glamour, the nostalgia, but without the cheese,” explained Lenka’s director, Adam Jordan. “Lenka absolutely smashed it with the clothing options, my favourite shots became the black sparkly top with the backlight, the perfect mix of the glamour and nostalgia vibe we were going for.”
And if that wasn’t enough, Lenka is playing shows just about everywhere. She’s just played a string of shows in China. The US comes next before Lenka arrives home for some local gigs in November. Get on it!
1 October 2023 – City Winery, New York
8 October 2023 – Resident, Los Angeles
17 November 2023 – The Gaso, Naarm/Melbourne
24 November 2023 – Valley Loft, Meeanjin/ Brisbane
25 November 2023 – Great Club, Sydney
Image used with permission from This Much Talent; credit: Tanja Bruckner
