Spinifex Gum Pays Tribute to Ms Dhu

Performing under the moniker Spinifex Gum, Felix Reibl and his Cat Empire pal Ollie McGill have joined forces with Indigenous girls choir Marliya to highlight the tragic death of Ms Dhu.

At just 22 years of age, Ms Dhu died in police custody in Port Hedland in August 2016. A coronial inquiry into her untimely death was released late last year.
Felix wrote “Ms Dhu” after hearing the story while travelling to the Pilbara with the Gondwana Indigenous Children’s Choir, where the teens from Marliya got their start. He says a lot about its origins, but it’s all so significant I wanted to print his comments in their entirety.

“When I first read about what happened to Ms Dhu my reaction was first disbelief, then anger and heartbreak. How was this poor young woman let down so badly by the police, medical, and justice systems in WA? How could she be called a liar and her cries of pain not be taken seriously for three days, when even the most basic care or respect would have saved her life? How is it that a young, injured, Indigenous woman with unpaid fines gets locked up, and the people who let her die out of sheer neglect not be held accountable in any meaningful way? What does this say about endemic, institutional racism in Australia? What does this say about us as a broader community? Where do we go from here?” he questioned.

“It’s a political song. I’ve tried to tell the story as it happened, often using direct quotes from the courtroom. The young Indigenous singers of the chorus are the heart of the piece – a voice of youth and defiance. We’re dedicating the track to Ms Dhu’s family, who have shown extraordinary courage and resilience in the face of tragedy and loss. We’ve been in communication with them along the way. Any profits it generates will go to them. We hope it does something to keep this terrible event – and the necessity for change – at the forefront of the broader public’s mind. We hope it serves as a statement of solidarity with Ms Dhu’s family and the Indigenous community as a whole.”

All proceeds from the single’s sale will benefit Ms Dhu’s family as they try to rebuild their lives. You can raise awareness of the issue and single by writing about it on your socials with the hashtag #imissdhu.

Canada’s Franklin Electric Back in Oz

Montreal’s own Franklin Electric is heading your way Australia. Fresh from supporting Holy Holy last year, the Canadian band is back again for shows with Half Moon Run and Woodlock.

The visit coincides with the release of Franklin Electric’s new album Blue Ceilings this week, which includes the fresh new single “I Know The Feeling.” This is such a beautiful brooding track which speaks right to the heart.

These guys are going to be massive, so you’re going to want to say you saw them before it all happened at one of these shows.

11 January 2017 – The Triffid, Brisbane (with Half Moon Run)
12 January 2017 – The Corner Hotel, Melbourne (with Half Moon Run)
14 January 2017 – The Metro, Sydney (with Half Moon Run)
20 January 2017 – Jive Bar, Adelaide (with Woodlock)
21 January 2017 – Howler, Melbourne (with Woodlock)
22 January 2017 – Sub, Hawthorne (with Woodlock)
27 January 2017 – Beach Hotel, Byron Bay (with Woodlock)
28 January 2017 – Woolly Mammoth, Brisbane (with Woodlock)
2 February 2017 – Brass Monkey, Cronulla (with Woodlock)
3 February 2017 – Newtown Social Club, Sydney (with Woodlock)
4 February 2017 – Small Ballroom, Newcastle (with Woodlock)
5 February 2017 – Rad Bar, Wollongong (with Woodlock matinee & 18+ evening show)
10  February 2017 – Settlers Tavern, Margaret River (with Woodlock)
11 February 2017 – Fly By Night, Fremantle (with Woodlock)

Sunset City Gets Toes Tapping With “Can I Go Back?”

Entering a new year, everything seems a little brighter. I’m not sure the optimism and good vibes will stick, but right now I’m just enjoying the positivity that comes with putting 2017 behind me. I think that’s reflected in my music taste, because for the second day in a row I’m drawn to a shimmery piece of feel good pop music. This latest pop gem is “Can I Go Back?” from Burleigh Heads’ own Sunset City.

This is the ideal summer anthem, with its upbeat tempo and memorable chorus. Its message of realising the mistakes made in the past and learning from this is also so apt at this time of year.

2017 is set to be a big year for Sunset City. They’ll release an album and tour the country, so look out for them in your neck of the woods. Until then, crank this one up and dance like nobody is watching.

Zillanova Releases Soulful Single “The Fader”

Add a little soul to your day with “The Fader,” the gorgeous new single from Melbourne’s Zillanova.

I love the way Joshua Tavares’ chocolatey vocals combine with the delicate strains of an electric guitar. The pitch-perfect backing vocals give the track an old school soul sound that instantly evokes nostalgia. However, it’s not just some Motown throwback. It sounds fresh and funky.

“The Fader” comes from Zillanova’s debut EP, which is scheduled for a February 17 release.

Halfwait Showcases 90s Grunge Sound with “Fly Away”

Sydney rock act Halfwait take us back to the 90s with its grungy new single “Fly Away.”

The track documents the struggles of making a relationship work when you’re a musician living so much of your life on the road. The song itself is a little rough around the edges, but there’s an honesty about it that I find so endearing.

“Fly Away” is the first track lifted from Halfwait’s sophomore EP Forever, which will be released shortly. We can also expect the band to return to the live scene in the coming months.

Todd McKenney Celebrates 20 Years of Peter Allen

It’s hard to believe that next year marks the 20th anniversary of Todd McKenney singing the songs of Peter Allen. He’ll celebrate the occasion with a string of shows in Queensland and New South Wales. After his years as a Dancing with the Stars judge, you’d be forgiven for forgetting just how good a performer Todd really is. As a reminder, check out this performance of “Tenterfield Saddler” from the vault.

These shows are worth getting to, even if you’ve seen Todd paying tribute to the late, great Peter Allen before. He promises he’ll play more Peter Allen songs than ever before and share plenty of new stories and laughs as well. Tickets are available from the venues for the following shows.

31 March & 1 April 2017 – Kedron Wavell Services Club, Chermside
7 April 2017 – Bankstown Sports Club, Bankstown
8 April 2017 – Rooty Hill RSL, Rooty Hill
21 April 2017 – Laycock Street Community Theatre, Gosford
22 April 2017 – Blue Mountains Theatre, Springwood
28 & 29 April 2017 – The Piano Sessions, The Studio @ Sydney Opera House, Sydney
6 May 2017 – Norths Leagues, North Sydney
13 May 2017 – Castle Hill RSL, Castle Hill
19 May 2017 – Revesby Workers Club, Revesby
20 May 2017 – Dee Why RSL, Dee Why
26 May 2017 – Evan Theatre @ Penrith Panthers, Penrith, NSW
27 May 2017 – The Juniors, Kingsford
2 June 2017 – Hornsby RSL, Hornsby
3 June 2017 – Blacktown Workers, Blacktown

Merry Christmas!

I’m sure after several Carols broadcasts and hours spent in shopping centres, you’ve reached your limit of schmaltzy Christmas songs. So this year I’ve decided to accompany my Christmas post with “One More Christmas (There’s More to Christmas Day),” the latest single from Melbourne band Third Earth.

This is actually the fourth Christmas song the band has released over the last few years, so these guys know what they’re doing. However, they don’t make a Christmas song quite like anyone else. This track explores how easily we can get caught up in our own lives, but reminds us that there’s so much more going on every December 25.

Whatever you’re doing this year, I hope it’s a happy one. I hope there is good wine, superb company, delicious food, and of course great music. Enjoy it Sounds of Oz readers!

Jarryd James Joins Betty Who for Acoustic “Human Touch” Performance

When I first heard Betty Who’s new single “Human Touch,” I wasn’t that impressed. It was one of those tracks I could imagine getting played on radio, but while it was catchy I found it ultimately forgettable. I didn’t really get it. It’s amazing what happens when you strip away some production though. In this acoustic version she recorded with Jarryd James, I feel like we finally get to see what this song is all about.

“I write so many of my of my songs on guitar or piano – it seemed only fitting to showcase the way this song came to be,” she explained. And having Jarryd sing it with me is a dream come true, the first time I heard his voice on the radio I knew I just had to sing with him. So I am so honoured to share this performance with him.”

“Human Touch” comes from Betty Who’s sophomore album, which will be released early next year.

Timothy Nelson Releases Ode to New York City

Few cities have been as romanticised as New York City. Visit New York and you’ll find your muse, your true love, or at least fall hard for the city they say. Timothy Nelson muses on the mythical magic of the city in his latest single “New York (You’ll Never Be Mine).”

As always, there’s top-notch songwriting here from Timothy. Its melancholy vibe may not be ideal for the festive season, but I think it’s lovely. He worked with fellow Western Australian Julia Ngeow, who’s now based in trendy Williamsburg, on the clip which was shot in the Big Apple over three intense days. Is there any other kind in New York?

Busby Marou Announces Queensland Tour for Forthcoming Album

I have a lot of love for Busby Marou. They’re one of Australia’s most unassuming musical acts, but they’re stellar songwriters with harmonies that are second to none. I can’t wait to hear more of their music when their third studio album, Postcards from the Shell House, drops on February 17.

Until then we’ll just have to be content with the release of the lead single “Getaway Car.” Busby Marou isn’t a band that needs studio trickery, so it’s only fitting to bring you a stripped back version of this song recorded on Great Keppel Island, where the duo wrote and recorded much of the album. It’s an idyllic setting which is perfectly suited to Busby Marou’s laidback style of music.

You can hear more of it when Busby Marou take their new album around Queensland next year. Hopefully it won’t be too long before they announce shows around the rest of the country.

18 February 2017 – The Great Western Hotel, Rockhampton
23-25 February 2017 – The Reef Casino, Cairns
2 March 2017 – Mt Pleasant, Mackay
3 March 2017 – Magnums, Airlie Beach
4 March 2017 – Dalrymples, Townsville
9 March 2017 – The Spotted Cow, Toowoomba
10 March 2017 – Wharf Tavern, Mooloolaba
11 March 2017 – Bay Central Hotel, Hervey Bay