Posted on by Lauren Katulka

Darren Criss @ City Recital Hall, Eora/Sydney – 11 September 2023

Darren Criss is undeniably one of Glee’s true success stories. While some cast members have been taken too soon, had their legacies marred by scandals, or faded into obscurity, his star has continued to rise after Ryan Murphy’s teen musical juggernaut. He’s starred on Broadway, performed for President Barack Obama on his second inauguration, and earned an Emmy and a Golden Globe for his role in The Assassination of Gianni Versace. He’s released a couple of EPs of original material and a Christmas album to little fanfare, but you wouldn’t know it if you were anywhere near the City Recital Theatre on Monday night. The sold-out crowd gave him a rock star welcome, the kind reserved for chart-toppers. He repaid their kindness with one of the most entertaining nights of music I’ve experienced in a while.

I must admit, I wasn’t quite sure what to expect from this show, but it certainly wasn’t Darren busting out a cover of Jet’s “Are You Gonna Be My Girl?”, then backing it up with The Pointer Sisters’ “I’m So Excited” to whip this already excited crowd into a frenzy. The high-energy numbers worked their magic, letting us all know we were in for a party.

The set was an eclectic one celebrating Darren’s career. But that career has been nothing if not eclectic. His original music never stays in the same space for too long. I must admit, I didn’t do my homework and immerse myself in it fully before the gig, but I’m making up for lost time now because I was so impressed. There was a little jazz, some acoustic folk, a dash of new wave, and some straight-up rock.

I discovered Darren through Glee, so I was thrilled to hear he still loves singing the songs from that program that really broke through. He gave songs like “Teenage Dream” and “Somewhere Only We Know” every bit as much enthusiasm as he did his originals, and we lapped it up. I was especially excited to hear him perform “Cough Syrup,” perhaps my favourite cover from his time on “Glee.” It was every bit as good as I hoped for.

My husband became a Darren Criss fan much earlier than me, when he stumbled on A Very Harry Potter Musical on YouTube. He fanboyed hard seeing StarKid alum Joey Richter and Lauren Lopez on back-up vocals, but things went to the next level when they brought us songs from that musical like “Granger Danger” and “Harry Freakin’ Potter”. He said to me later that to be in a space with so many people that share this very obscure musical passion was an experience like no other.

And then there were the real surprises. You could have knocked me down with a feather when I heard the unmistakeable opening notes of “Straight Lines” by our own Silverchair. His slowed-down version of Carole King’s “One Fine Day” was exquisite. And just when I thought I couldn’t love the show more, he played one of my very favourite songs, Ben Folds’ “The Luckiest.” Looking at the set lists, the first Sydney show was the only night this made an appearance. What a lucky audience we were.

I also feel lucky to have experienced Darren perform a show like this, in a theatre as small as the City Recital Hall. While he aspires to play the Opera House next time, he clearly relished the opportunity to connect with the audience that such an intimate room provides. It allowed him to compliment the snappy dresser a few rows from the front and chat to Jay, who was dragged along to the show by his enthusiastic girlfriend. Darren created one of the most inclusive spaces I’ve ever been in, where young and old and all colours of the rainbow flag are welcome. As I looked at the people around me as we made our way out of the theatre, I felt confident every one of them had as much fun as I did. And every one of them is likely to return when Darren inevitably plays the Opera House next time around.

Image source: Stephen Katulka

Posted on by Lauren Katulka

“Happy Ever After” – MID CITY

MID CITY might be the next big Aussie success story. The Naarm/Melbourne outfit has been releasing music together since 2018, but they’ve taken their time in releasing an album. The wait was worth it. Happy Ever After is one of the best albums I’ve heard all year.

I’d already raved about the title track, which opens the album with a flourish. It’s the perfect introduction to this energetic rock act, but they’ve got a lot more in their arsenal. The tracks that follow hit just as hard, with powerful lyrics that pack an emotional punch that’s every bit the equal to those big guitar riffs and driving drums. MID CITY doesn’t take its foot off the throttle until the fourth track in, and even then we’re only shifting down a gear or two. This is an album that gets you moving, whether you’re punching your fist in the air or letting the sound take over your whole body. Not that MID CITY is all one note. While they love a big rock anthem, big ballads like “Someone Like You” and “Lover Again” will have you reaching for the cigarette lighter.

“Touring in Europe really informed what we wanted; playing some great festival stages and watching people react – or not – to the things we thought were important in creating the perfect hard-hitting banger,” the band explained. “What was surprising though, was the quieter side we found on some songs. We always wanted the album to be a little journey, not just a 170 bpm sweat fest, but we didn’t realise how satisfying it would be to create some songs with different tempos and feels. We’re really proud of the balance we found between bangers and more heartfelt quieter moments. Perhaps we’re maturing? I hope not.”

I found myself thinking of several big stadium acts as I listened to Happy Ever After. The Killers. Arctic Monkeys. Our own Gang of Youths and the Temper Trap. There’s a little of these bands in MID CITY, but there’s also a unique flavour that sets them apart. Just like those acts, I can picture MID CITY packing out stadiums all around the world. It’s already starting, with MID CITY playing dates in Europe and the United Kingdom next month. Expect those venues to be upgraded next time they travel. Until then, enjoy seeing the at the small spots while you can.

3 October 2023 – Galao, Stuttgart
4 October 2023 – Helios 37, Cologne
5 October 2023 – Pop Bar, Haldern
6 October 2023 – Molotow, Hamburg
8 October 2023 – Badehaus, Berlin
10 October 2023 – Nachtleben, Frankfurt
17 October 2023 – The Victoria Dalston, London
18 October 2023 – 33 Oldham Street, Manchester

Images used with permission from beehive; main image credit: Richard Clifford

Posted on by Lauren Katulka

“Wicked” @ Lyric Theatre, Eora/Sydney

I haven’t seen Wicked since it played at the Capitol Theatre in 2009. I remember enjoying it without falling totally in love with it. My husband was enamoured though, and my parents wished they’d seen it, so I found myself at the Lyric on the weekend ready to experience it all again. I wasn’t especially excited, but I reasoned enough time had passed that I was bound to have a good time.

I wondered how the latest cast could possibly match the talents of Jemma Rix and Lucy Durack, who perfectly inhabited the lead roles, or even stellar supporting players like Rob Mills and Bert Newton. I needn’t have worried about it though. This country has a habit of producing such incredible performers. I’d always thought Lucy Durack was the perfect Glinda, but Courtney Monsma is at the very least her equal. She made the role her own, playing up the character’s brattiness and bringing true heart when required. My husband always judges a Glinda by their performance of “Thank Goodness.” At its conclusion, he leaned over to me and told me she’d nailed it. Elphaba is such a demanding role, but I think Sheridan Adams was solid in it. I could hear a little strain as she tackled those stratospheric notes, but I wouldn’t be surprised if they become more effortless as the season progresses. Liam Head charmed as Fiyero, as any good Fiyero should do, and Todd McKenney made the most of every moment as The Wizard.

As the story played out, I found myself enjoying it more than I thought I might. Anticipating the twists and turns, the way the pieces would fall into place, was comforting. Rather than holding my breath as I did the first time around, I could take pleasure in what was around the corner. My familiarity with the songs saw me looking forward to my favourites, which were always performed so perfectly. My husband plays the soundtrack so often I’d forgotten how much richer these songs are with the rich visuals of the stage.

The Australian musical theatre scene has typically played it safe over recent years. With the notable exception of Hamilton, most major productions have been jukebox musicals, adaptations of Disney films, or shows that regularly grace our stages (I’m looking at you Hairspray). I’m relying on community theatre groups to bring me something new, but with 14 years passing since Wicked’s last showing this almost feels fresh. If you’ve never seen Wicked before, don’t sleep on this one. And if you have like me, this production certainly makes it worth a second look.

Wicked is at the Lyric Theatre in Eora/Sydney until December 30. Tickets are available through Ticketmaster.

Posted on by Lauren Katulka

“Sunsoli” – Sunsoli

Rebranding after eight years performing together is a risky move. But that’s exactly what Darkinjung Country/Central Coast act The Sea Gypsies did when they became Sunsoli earlier this year. Risky or not, the move seems to have revitalised this band who with the release of their self-titled album prove they’re making some of the best music of their career.

Sunsoli says their music is inspired by the sun and its ever-present influence on our lives. I can hear that inspiration in these new tunes. The album opens with “Some Kind of Light,” an atmospheric slow burner. It’s a moment of calm stillness before the energetic single “Time and Place” kicks in. “Wayward” brings more good vibes. I can imagine blasting these songs on my next road trip. There’s a beautiful freedom about them, and their driving beats are sure to keep me energised as the road stretches out ahead of me. Love songs with an easy groove like “Dancing Slowly,” featuring gorgeous guest vocals from Ashrae, and “Sunlight” are real charmers. It’s unclear whether the central relationships will be summer flings or something more, but they’re so much fun that it barely matters. Most of this album feels fresh, so the ‘80s nostalgia of “In the Middle” comes as a little bit of a curveball. I never mind a throwback when it’s done this well though. “Where We Left Off” is a beautiful love letter to the fans, a celebration of this band, no matter what they’re called. Closing track “Colours” is such a powerful love song, heartfelt without a hint of schmaltz, an anthemic number that I can already tell will be even better live. What a way to end this excellent album.

I’ve always liked the music the band made as the Sea Gypsies but the tracks I loved in their back catalogue were a bit rarer. However, I’m in love with this album. Every song is a stand-out. It’s everything I liked about the Sea Gypsies but better. I was skeptical about the band’s decision to rebrand so far into their career, but if it’s inspired them to make great music like this I’m all for it. Sunsoli’s debut album is out today. Their East Coast album launch tour starts Friday. Limited tickets are still available for these shows.

15 September 2023 – La La La’s, Woolyungah/Wollongong (with Brandon Duff & Georgia-Jean)
16 September 2023 – Live at the Polo, Ngambri/Canberra (with Kopasetic & Eden Plenty)
6 October 2023 – Barwon Club, Djilang/Geelong (with This Way North & Gabby Steel)
8 October 2023 – Northcote Social Club, Naarm/Melbourne (with This Way North & Anna Smyrk)
27 October 2023 – Sol Bar, Kabi Kabi and Jinibara Country/Maroochydore (with Flaskas & Sundaze)
29 October 2023 – Lefty’s, Meeanjin/Brisbane (with Flaskas & Tjaka)
11 November 2023 – The Lansdowne, Eora/Sydney (with The Toothpicks & Southwest Corduroy)
25 November 2023 – Drifters Wharf, Darkinjung Country/Gosford (with Tyrants & Tiali)
1 December 2023 – The Federal, Baligin/Bellingen

Listen on Apple Music

Image used with permission from beehive; main image credit: Jordan Cortti

Posted on by Lauren Katulka

Paper Lane Make Strong Statement With First Single, “Better in my Head”

If you have a tendency to put your foot in your mouth when you’re getting to know someone new, you’re going to love “Better in my Head,” the relatable debut single from Meeanjin/Brisbane-based indie rock act Paper Lane. I love the warm, earthy tone of vocalist Taleena Peck’s voice and their cool vintage feel. Consider them one to watch.

I get so excited when I hear bands releasing music that’s so good right off the bat. Something tells me you’ll want to get in on the ground floor, because Paper Lane deserves to be massive. Follow them on their socials to learn all about what they’re doing next.

Image used with permission from Kick Push PR; credit: Dan Vonhoff

Posted on by Lauren Katulka

PRETTY BLEAK Tackle Addiction With “do you feel the same?”

It’s a dark gloomy day in my part of the country, perfect for some new PRETTY BLEAK material. This Naarm/Melbourne emo/pop punk act delivers the right balance of happy-sad with their latest single “do you feel the same?”

“The song is about the human tendency to placate our emotions with menial pleasures, which develop into addictions or dependencies,” explained vocalist Sam Thomas. “The specific nature of the addiction is dependent on the listener’s interpretation, whether it be drugs, or laughter, or the amount of times you look in the mirror each day.”

Fresh from their debut appearance at BIGSOUND, PRETTY BLEAK will launch the single for hometown fans at The Gasometer Hotel on September 28.

Image used with permission from Habit Music Co; credit: Tom Thomas

Posted on by Lauren Katulka

Ghost Care Release Fun New Synth-Pop Single, “Arcade”

I didn’t expect indie-pop act Ghost Care to get turned on by classic rockers Creedence Clearwater Revival, but inspiration often comes in the most unlikely of places. Their latest single “Arcade” is more synth-driven pop than swamp rock, but Ghost Care found themselves inspired by the lyrical content of the classic band.

“The original idea was named ‘Dance’ on our voice memos, but when we dove into the lyrics we found that the name ‘Arcade’ fit the theme of love and a relationship being likened to a game. Inspired by a Creedence Clearwater Revival song, I loved the idea of not wanting to be on the bench and that if you want to win you have to feel like everyone is giving their all and that you are working as a team,” explained the band’s vocalist and guitarist, Beau Torrance. “We were playing this song originally as a guitar heavy driven song and it felt like it could stay there or we could take it somewhere we haven’t really been before. When we got to the studio, our producer Dave Parkin had the exact same mindset and it was then decided we should take it into the synth world.”

The music video, directed by fellow Western Australian Stephanie Senior, sees Beau and fellow vocalist Tanaya Harper duking it out in a video game arcade.

“We love this video clip so much! We knew we wanted fun whilst not being too funny, and Steph totally nailed the vibe,” Tanaya said. “We really had this idea of making a video that had this funky, neon atmosphere. Steph really took it to another level for us and we feel like we chose the perfect person for capturing the song’s energy!”

After recently touring in support of Spacey Jane, Ghost Care are packing up their tour bus and playing shows that kick off in their hometown tomorrow night. Catch them where you can:

8 September 2023 – Badlands, Boorloo/Perth
21 September 2023 – Workers Club, Naarm/Melbourne
22 September 2023 – Black Bear Lodge, Meeanjin/Brisbane
23 September 2023 – Waywards, Eora/Sydney

Image used with permission from beehive; credit: Aref Rashidan

Posted on by Lauren Katulka

GANGgajang Support Yes Campaign With “Speak To Me”

Much has been made of John Farnham lending his smash hit “You’re the Voice” to the Yes campaign for the Voice referendum. And quite rightly so. John is an icon and his endorsement might just be enough to encourage some uncertain members of the community to vote yes. But he’s not the only local artist who’s getting behind the Yes campaign. GANGgajang have also offered their support, rerecording their ‘90s hit “Hundreds of Languages” with William Barton and Jack Thompson as a new single, “Speak to Me”.

GANGgajang were pioneers in the Australian music scene, campaigning for the rights of the First Nations community long before the term “woke” even existed. The process of creating this song stretches back to conversations they had with members of First Nations communities back in 1989. Now, they say, is the time for everyone to listen to what those communities are saying. They note that in 2012, before he passed, their friend Uncle Jimmy Little wrote to every politician in the Federal government asking them to listen to Indigenous people on matters that impact them. Now more than a decade later, they say they “stand with Uncle Jimmy and say Yes to the Voice.”

Image source: PeterTea @ Flickr

Posted on by Lauren Katulka

“The Pleasure Pit” – Tiali

Tiali wowed me with their single “Icicles” late last year. It was so raw and personal, I couldn’t wait to hear more. They deliver and then some with their debut EP The Pleasure Pit, a collection of intimate songs that pack a real punch.

The opening track “Jigsaw” is bold and grungy, making sure you know this EP, and in fact this artist, are not to be ignored. Tiali makes their presence felt, whether they’re rocking out or stripping things back. Their lyrics are honest, often brutally so, and you can feel Tiali’s emotions bubbling just under the surface in every line they deliver. Songs like “What Kind of Man,” which calls out toxic masculinity, and “Icicles,” the album’s commanding closer, make for a powerful listening experience.

Speaking of the album’s inspiration, Tiali noted that “The Pleasure Pit is a place we all know. It’s the place we go to indulge, to ease our pain. It’s drugs, alcohol, sex, cigarettes, junk food, love. It brings you comfort, an escape, a high … until it doesn’t. The void that sucks you in, the detachment from reality, the noise that silences your mind, the chaos that momentarily calms you.”

I can imagine these songs bringing a similar comfort to people who hear them. They’re unflinchingly real, powerful and painful, but in sharing these stories Tiali reminds listeners going through their own struggles that they’re not alone. The Pleasure Pit is an exciting, brave first EP from an artist who no doubt has a massive future ahead.

If you like what you hear, catch Tiali at one of their upcoming shows:
9 September 2023 – Long Jetty Hotel, Darkinjung Country/Long Jetty
15 September 2023 – Low302, Eora/Surry Hills
22 September 2023 – The Lady Hampshire, Eora/Camperdown (supporting Packing Dhaka)
25 November 2023 – Drifters Wharf, Darkinjung Country/Gosford (supporting Sunsoli)
10 December 2023 – Let the Good Times Roll Festival @ Memorial Park, Darkinjung Country/The Entrance

Images used with permission from Sony Music Australia

Posted on by Lauren Katulka

Vermont Rock Out With “Regretting Me”

Naarm/Melbourne emo-rock act Vermont has really impressed me with their latest single “Regretting Me.” Its vocals and lyrics hit hard, but it’s got a catchy melodic core that makes it an accessible and addictive listen.

The single comes with a cool, quirky collage-inspired video clip directed by “good bloke” Andrew Vaughan. Vermont have supported the likes of Clay J Gladstone, Reside, Sleep Talk, and more. With awesome songs like this in their repertoire, expect more headlining gigs in the near future. Follow their socials to learn about them as soon as they’re announced.

Image used with permission from Bigmouth PR; credit: Justin Wiraldi