Jordan Millar Tries Something New with “True or Nothing”

I do love Jordan Millar. He’s one of those rare artists that releases songs that I fall for time and time again. Even when he goes in a different musical direction, as he has with his new single “True or Nothing,” I’m right there with him.

I’m used to hearing Jordan creating very stripped back, organic music. “True or Nothing” has more of an electronic, almost dancey feel to it. The guitars are still there, anchoring the song, but there’s a lot of other stuff going on. Ordinarily I might call that distracting, but it works here.

Apparently Jordan decided to try something new after getting countless comparisons to John Mayer and Jason Mraz. I’m pretty sure once people hear this they’ll start calling him the next Ed Sheeran.

If this song is any indication, I’m excited to hear more of the new music Jordan promises to release next year.

Image used with permission from Small Talk PR & Management

Shameem Plays Plenty of Free Gigs

You might remember soulful Perth songstress Shameem from her single “Under One Sun” which I wrote about last year. I can barely believe how much time has gone by, because hearing that song is still so fresh in my mind. It was just that good.

So I was excited to hear she’s hitting the road again to promote her album The Second City, a collection of songs she either wrote or co-wrote and co-produced. Along with “Under One Sun,” the album features “Beautiful Soul,” another killer track with standout vocals and lyrics that really cut through. I could show you the album version, but in light of her upcoming tour I figured sharing this stripped back performance was probably more appropriate.

I know it can be difficult to rouse yourself when the weather’s dark and dreary, but Shameem’s gigs are all free or close to it, so please get out and support this talented independent Aussie act.

1 October 2015 – Since I Left You, Sydney (18+ FREE)
2 October 2015 – Lass O’Gowrie, Newcastle (18+ FREE)
3 October 2015 – The Thornbury Local, Melbourne (18+ FREE)
4 October 2015 – The Basement, Canberra (18+ $5)
7 October 2015 – The Menagerie, Brisbane (ALL AGES; FREE)
8 October 2015 – Treehouse, Byron Bay (ALL AGES; FREE)
9 October 2015 – The Loft, Gold Coast (18+ FREE)
10 October 2015 – The Upfront Club, Sunshine Coast (ALL AGES; ENTRY BY DONATION)
11 October 2015 – The Milk Factory, Brisbane (18+ $10)

Short Stack Mounting Comeback

An awful lot of time has passed since Short Stack first burst onto our scene and made all the girls squeal as they’re doing over 5SOS right now. So you might not realise that these Central Coast lads are only getting better. Their new single “Gravity” shows a maturity that only comes with a few more years out in the world.

“Gravity” is the first cut from Short Stack’s new album Homecoming (currently in stores), which has a fitting title considering it coincides with their return to the Australian scene after they relocated to London in late 2014. That decision saw them connecting with legendary British producer Chris Kimsey [The Rolling Stones, Peter Frampton, The Cult].

“We wrote this for about three years, and it’s the record that we’ve always wanted to make,” Shaun Diviney said in a press release. “It’s really raw, it’s really live, there’s not much production, and that means that when we play it live, it comes to life, translates.”

Given the lack of flashy production, we can expect the songs to sound amazing in the live arena. We’ll get a chance to do just that when Short Stack play shows all around the country this summer.

11 December 2015 – Brothers Leagues Club, Cairns (ALL AGES)
12 December 2015 – The Venue, Townsville (ALL AGES)
13 December 2015 – Mackay Entertainment Centre Foyer, Mackay (ALL AGES)
13 January 2016 – Prince Bandroom, Melbourne (ALL AGES)
14 January 2016 – HQ, Adelaide (ALL AGES)
16 January 2016 – Astor Theatre, Perth (ALL AGES)
30 January 2016 – The Metro Theatre, Sydney (ALL AGES)
6 February 2016 – The Tivoli, Brisbane (ALL AGES)

Loren Kate Wows Me with “When You Leave”

I’m making a point of getting a little blogging done today. After a week of early starts and late finishes, of a workload that always seems insurmountable, I needed a little music therapy. I found it in the form of Loren Kate’s song “When You Leave.”

I was actually sent the presser of this song back in September, but I firmly believe that the right song finds you at the right time. “When You Leave” is just the kind of mellow I need to relax right now. And the song, which was actually inspired by Loren losing a loved one, is just the kind of thing I needed to hear to remind me to just be here now, and not stress about what’s to come.

This is just stunning. What a special song. It comes from Loren’s EP Til Night Meets the Sun, which is now on my “must hear” list. After playing shows in Nashville this month, she’ll return home for the following dates.

10 October 2015 – The Wheatsheaf Hotel, Thebarton (18+)
14 October 2015 – The Toff in Town, Melbourne (18+)
23 October 2015 – Red Mill Store, Bunbury (ALL AGES)
24 October 2015 – House Concert, Fremantle (PRIVATE CONCERT)
25 October 2015 – Kidogo Arthouse, Fremantle (ALL AGES)
31 October-1 November 2015 – Maldon Folk Festival, Maldon (ALL AGES)
7 November 2015 – Vegan Festival, Adelaide (ALL AGES; FREE)
8 November 2015 – The Cheese Factory Studio Gallery, Meadows (ALL AGES)
19 November 2015 – No.5, Bellingen (ALL AGES)
21-22 November 2015 – Mullum Music Fest, Mullumbimby (ALL AGES)

’80s Mania @ West Leagues, Newcastle – 20 September 2015

I’ve been meaning to write this article for the last few days, but somehow the time slipped away and it was dinner before I knew it. So I’m trying a different strategy today and writing it first. Paid work can wait. On Sunday night I headed to my old stomping ground of Newcastle to catch the ‘80s Mania show.

If you missed the memo, ‘80s Mania has seen Cutting Crew, Paul Young, Nik Kershaw, and Go West winding their around Aussie RSLs and delighting those of us who refuse to let go of one of music’s most entertaining decades. Now when I say we had Cutting Crew and Go West I use the term a little loosely. There were just a couple of members of these British acts, but the main talent was still with us and a super-tight band of young things helped make up the numbers. I’m not sure where they found these guys, but they did a wonderful job of slotting in with whichever act they accompanied at the time.

Cutting Crew kicked off the night with an explosive set. Nick Van Eede is a proper ‘80s star, with vintage moves like the one where you go down to your knees when you’re overcome with emotion and the one where you point out to the audience, convincing the girls that you’re singing right to them. It was as cheesy as it sounded, but it was so easy to get swept up in it. I don’t remember people waxing lyrical about guitarist Gareth Moulton in the ‘80s, but he blew me away. A song called “Till the Money Run$ Out” from a brand new album let us all know that Cutting Crew are more than just a nostalgia act. “(I Just) Died in Your Arms Tonight” was the song we all came to hear, and it delivered. A cover of REM’s “The One I Love” was an unexpected but incredible closer.

Paul Young followed, and after seeing him with Tony Hadley at the same venue a few years ago my expectations were low. I was glad of this, because it saved me being disappointed. Don’t get me wrong. Paul Young has so much charm. His songs, including “Every Time You Go Away” and “Love of the Common People,” were probably the strongest of the night. I knew every one, and sang along enthusiastically, both because I love them and because Paul just can’t cut it vocally any more. His voice lacks the range it used to have, and even the notes he can reach don’t sound nearly as strong as they did decades ago. On a night of such incredible acts, his failings really showed.

For the final portion of the night Nik Kershaw joined forces with Go West. A cover of “Everybody Wants to Rule the World” opened a set which was a real mixed bag. They tended to play a cover together, then one act would go off to rest while the other treated us to their originals, before teaming up for another joint number. I was only born in 1980 so I didn’t know all of the songs, but they were performed so well that it didn’t matter. I’d actually seen Go West a few years back (also with Tony Hadley, because where he goes I follow), and they were every bit as good as I remember. The big hits “We Close Our Eyes” and “King of Wishful Thinking” were so much fun, but anything sounds good when Peter Cox is singing it. Nik Kershaw surprised me in the best possible way. I’d forgotten how much I love “The Riddle,” and “Wouldn’t It Be Good” took me right back to my childhood. “Sex On Fire” was an unlikely closer for these two ‘80s acts, but it was so much fun I don’t think anyone minded that it was a few decades after the shows themes.

According to Facebook, the organisers are already hard at work on ‘80s Mania 2016. After all the fun of this year’s event, I’ll be there with bells on.

Image source: Stephen Katulka

Michael Fuhrman Charms Me with “London Town”

In the vein of Vance Joy comes Michael Fuhrman, an exciting new singer-songwriter from Queensland’s Sunshine Coast. He’s completely won me over with his beautiful acoustic single “London Town,” a song that reflects on a love when one half of the couple is away on the other side of the world.

The instrumentation here is perfect. The violins and drums add weight to the music, but the centrepieces are really Michael’s beautiful voice, his lyrics, and that lovely melody. There’s just enough going on here. The folks at Heliport Studios clearly know what they’re doing.

Apparently Michael plans to play some shows in Sydney over the New Year. Hopefully the rest of the nation will get a chance to see this talented musician in the flesh before too long too.

Dylan Joel Announces First Solo Tour

If you’re a hip hop fan you might have caught Dylan Joel supporting Seth Sentry on his recent Aussie tour. You might think after that playing more than 40 shows with Seth he’d be tired of life on the road, but he’s ready to get back out there for his first solo tour of the country.

Dylan’s set to tour this fair land in support of his debut album Authentic Lemonade, which is in stores now. It features the current single “Blank,” which has a great soulful sound which has really won me over. That’s Dylan singing too, proving he can do a lot more than laying down rhymes.

I’ve been told these shows are going to break the mould of any other gig you’ve seen this year. Expect the unexpected at the following shows.

2 October 2015 – Wrangler, Melbourne (Under 18s)
15 October 2015 – Black Bear Lodge, Brisbane
16 October 2015 – Boardriders, Gold Coast (FREE)
21 October 2015 – Transit Bar, Canberra
23 October 2015 – Goodgod Small Club, Sydney
24 October 2015 – Rad, Wollongong
30 October 2015 – The Workers Club, Geelong
7 November 2015 – Rocket Bar, Adelaide
8 November 2015 – Jimmy’s Den, Perth
13 November 2015 – Howler, Melbourne
27–28 November 2015 – Gorgeous Festival, McLaren Vale

Image used with permission from Flagrant Artist Management

“In Purple” – Ocean Alley

I hear an awful lot of music in my line of work, so when something different hits my inbox my ears prick up. That’s why I’m really responding to Ocean Alley and their sophomore EP In Purple.

They first caught my attention with the recent single “Muddy Water,” the final track of the EP. This strong track makes the ideal closer to this six-track collection, but there’s plenty to delight before it hits.

“Muddy Water” had a surf rock sound which only hinted at reggae and psychedelic sounds. They’re much more prominent on the other tracks, and I don’t just mean because one’s called “Space Goat” (despite seemingly having little to do with livestock). The songs are full of sexy grooves and infectious hooks. I appreciate party songs like “Twisted” and “Those Daze” most, but couldn’t help appreciating the daring of the epic “Sleepwalking.”

In Purple is a little rough around the edges, but I think its rawness is endearing. It adds a sense of authenticity that’s missing in many more polished recordings. Ocean Alley are currently touring the EP around the country. You can catch them at the following venues.

17 September 2015 – The Brightside, Brisbane
19 September 2015 – Great Northern, Byron Bay (FREE)
20 September 2015 – Sounds of Sunday, Gold Coast (FREE)
25 September 2015 – Uni Bar, Wollongong
2 October 2015 – The Evelyn, Melbourne
15 October 2015 – Oxford Arts Factory, Sydney

Richard Clapton @ Laycock Street Theatre, Wyoming – 13 September 2015

When Lizotte’s at Kincumber closed its doors, I started to worry that the Central Coast might start missing out on shows. The older I get, the lazier I get, and the more it takes to compel me to head to Sydney or Newcastle for a show. However, it seems that the loss of Lizotte’s has been Laycock Street Theatre’s gain. This small theatre in Wyoming has been hosting some of Australia’s best talents over the recent months, yet a lack of promotion means I’m usually the last to know. I actually stumbled across the news that Richard Clapton was heading our way just a couple of weeks ago.

Richard’s always been one of my favourite performers, so I couldn’t resist checking his Lonesome Voyager tour. It was billed as an opportunity to see Richard up close and personal, to hear the songs that made him a legend and the stories behind them. Honestly on that score I was a little disappointed. It seems Richard’s heyday passed in a heady blur, so he’s a little vague on the details of many of the songs’ origins. However, there was probably drugs or alcohol or both involved in their inception. The stories he recounted were cheeky and hilarious, but I didn’t quite get the insight into the music I was looking for.

What I did relish was the chance to see Richard Clapton and his guitarist pal playing acoustically. I’ve seen Richard perform more times than I can count on my fingers, but this was my first opportunity to hear him without a full band, back-up singers, and the like. With just an acoustic guitar or two depending on the song, beautiful numbers like “Best Years of Our Lives,” “Blue Bay Blues,” and the final encore, “Goodbye Tiger” were shown in all their glory. There were no real surprises in the set. I’ve seen him play virtually the same songs most times I’ve seen him. He’s one of those artists who knows what his fans want and delivers it. However, while I’d heard these songs so many times before, the acoustic treatment helped me appreciate them in a new way.

With the show starting at 7 pm and no support act, we were all done and dusted by a little after 8:30 pm. I must admit, it felt weird to go home and have time to watch The X Factor before bed, but it was also kind of nice. What a thrill to have such a musical legend play so close to home, then send us on our way before we started to get drowsy. Hopefully there are more of these “old people gigs,” as my husband put it, at Laycock to come.

Image source: Richard Clapton’s Facebook page

Joshua Radin @ Metro Theatre, Sydney – 10 September 2015

Last Thursday I went to those concerts that put me on a real high. I’ll be honest with you and admit that I’m still on that high so many days later. I don’t think I’ll ever be able to write about this evening impartially, but I might just have calmed down enough to come off as more of a music blogger and less of a teenage girl. I might be in my mid-thirties, but that part of me is always going to come out when I see Joshua Radin, especially when I do it VIP.

When Joshua announced he would offer VIP tickets for his latest Australian tour, the first in more than four years, I jumped at them. I couldn’t wait to meet this singer-songwriter that I’ve admired for his entire career, but I wasn’t quite prepared for how special the experience would be. Around 30 die-hard fans were ushered into the Metro at a little after five to see Joshua standing on stage, playing one of my favourite songs “Closer,” from the first album. Joshua told us that he wanted to treat us to stuff we wouldn’t hear at the main show, which I really appreciated. The six-song soundcheck was more than generous. “Vegetable Car,” my husband’s favourite song which Joshua pulled out on the request of another fan despite being unsure whether he could remember the lyrics, was another highlight. It was also thrilling to hear a couple of brand new, unrecorded songs. I didn’t take any photos; it was one of those times where you just want to soak things in and have them just for you.

We were told we could get three pieces of merchandise signed, which equated to six for me because I brought my husband along. However, Joshua was actually happy to sign whatever we had, so those posters we were handed as we walked in also earned his signature. He took his time chatting to everyone individually, really paying attention to what we were saying and engaging us all. We never felt rushed, and we all felt special. I was so glad to be able to tell him what his album Wax Wings meant to me, and tickled pink when he complimented me on my skirt.

After the meet and greet we were shown a special VIP section of the Metro where we could sit for the evening. The plush seats and excellent view from those seats added further value to those VIP tickets, as did the company. I swear I’ve never been to a show with such wonderful people. We chatted with such interesting folks, not just about Joshua about our careers and families and other music we loved. They definitely made the time between acts feel much shorter.

Tara Favell was the first of those acts, a sweet young country-pop singer with a sparkly guitar. Her original songs reminded me a little of early Taylor Swift, and I felt for her when I spotted people near the front playing on their phones. Note to music lovers: if you want to stand near a stage, maybe give the artists the respect to at least appear to be paying attention. Her cover versions of “Thinking About Loud” and “I’m Yours” engaged the crowd a little more, but sadly their minds seemed to be elsewhere.

David Lazarus had an easier time of things. Frankly he was a gorgeous man, and that always helps at a show when most of the crowd are female. But his stories about the love he has for his sisters had every girl in the place swooning. He had a great rich tone, and serious guitar chops. His closing medley of popular songs old and new had everyone cheering. I became an instant fan, and plan on checking out more of his music.

But Joshua Radin was the man we all came to see. Despite being here to promote his album Onward and Sideways, his set took on a journey through his entire catalogue. In fact if anything it was heaviest on his debut album, after fans at the soundcheck told him they’d love to hear the early material. I sat in raptures, hanging onto his every word as he explained the circumstances behind the songs and listening to them with new understanding. After a backing band that felt too big for his songs last tour, it was refreshing to see him playing with just two other musicians. They gave the music the right amount of intimacy. My favourite Joshua Radin song “You’ve Got Growing Up To Do” was a real highlight, but “Winter,” “Only You,” and the jubilant” Belong” was also really special. Hell, the whole concert was special. His cover of “Don’t Think Twice It’s Alright,” the first song he learned to play on a guitar, capped things off beautifully.

I left the Metro bouncing off the walls and I still feel those same butterflies as I write about that night. Joshua assured us he’ll return sooner next time, and I can only hope he keeps his word. Because personally, I’m ready to see the show again.

Image source: Stephen Katulka