Joshua Radin @ Metro Theatre, Sydney – 10 September 2015

Last Thursday I went to those concerts that put me on a real high. I’ll be honest with you and admit that I’m still on that high so many days later. I don’t think I’ll ever be able to write about this evening impartially, but I might just have calmed down enough to come off as more of a music blogger and less of a teenage girl. I might be in my mid-thirties, but that part of me is always going to come out when I see Joshua Radin, especially when I do it VIP.

When Joshua announced he would offer VIP tickets for his latest Australian tour, the first in more than four years, I jumped at them. I couldn’t wait to meet this singer-songwriter that I’ve admired for his entire career, but I wasn’t quite prepared for how special the experience would be. Around 30 die-hard fans were ushered into the Metro at a little after five to see Joshua standing on stage, playing one of my favourite songs “Closer,” from the first album. Joshua told us that he wanted to treat us to stuff we wouldn’t hear at the main show, which I really appreciated. The six-song soundcheck was more than generous. “Vegetable Car,” my husband’s favourite song which Joshua pulled out on the request of another fan despite being unsure whether he could remember the lyrics, was another highlight. It was also thrilling to hear a couple of brand new, unrecorded songs. I didn’t take any photos; it was one of those times where you just want to soak things in and have them just for you.

We were told we could get three pieces of merchandise signed, which equated to six for me because I brought my husband along. However, Joshua was actually happy to sign whatever we had, so those posters we were handed as we walked in also earned his signature. He took his time chatting to everyone individually, really paying attention to what we were saying and engaging us all. We never felt rushed, and we all felt special. I was so glad to be able to tell him what his album Wax Wings meant to me, and tickled pink when he complimented me on my skirt.

After the meet and greet we were shown a special VIP section of the Metro where we could sit for the evening. The plush seats and excellent view from those seats added further value to those VIP tickets, as did the company. I swear I’ve never been to a show with such wonderful people. We chatted with such interesting folks, not just about Joshua about our careers and families and other music we loved. They definitely made the time between acts feel much shorter.

Tara Favell was the first of those acts, a sweet young country-pop singer with a sparkly guitar. Her original songs reminded me a little of early Taylor Swift, and I felt for her when I spotted people near the front playing on their phones. Note to music lovers: if you want to stand near a stage, maybe give the artists the respect to at least appear to be paying attention. Her cover versions of “Thinking About Loud” and “I’m Yours” engaged the crowd a little more, but sadly their minds seemed to be elsewhere.

David Lazarus had an easier time of things. Frankly he was a gorgeous man, and that always helps at a show when most of the crowd are female. But his stories about the love he has for his sisters had every girl in the place swooning. He had a great rich tone, and serious guitar chops. His closing medley of popular songs old and new had everyone cheering. I became an instant fan, and plan on checking out more of his music.

But Joshua Radin was the man we all came to see. Despite being here to promote his album Onward and Sideways, his set took on a journey through his entire catalogue. In fact if anything it was heaviest on his debut album, after fans at the soundcheck told him they’d love to hear the early material. I sat in raptures, hanging onto his every word as he explained the circumstances behind the songs and listening to them with new understanding. After a backing band that felt too big for his songs last tour, it was refreshing to see him playing with just two other musicians. They gave the music the right amount of intimacy. My favourite Joshua Radin song “You’ve Got Growing Up To Do” was a real highlight, but “Winter,” “Only You,” and the jubilant” Belong” was also really special. Hell, the whole concert was special. His cover of “Don’t Think Twice It’s Alright,” the first song he learned to play on a guitar, capped things off beautifully.

I left the Metro bouncing off the walls and I still feel those same butterflies as I write about that night. Joshua assured us he’ll return sooner next time, and I can only hope he keeps his word. Because personally, I’m ready to see the show again.

Image source: Stephen Katulka

Doctor Goddard Channel The Doors with “Without Love”

I almost dismissed Doctor Goddard as a bunch of Doors wannabes. The comparisons between the music they’re producing and the work of the legendary rock band are inescapable. But then I got to thinking and decided I might have been a little hasty.

Because the thing is, we don’t have The Doors anymore. Or at least, we don’t have the Jim Morrison fronted Doors, and anything that follows is never going to compare. Remaining members might tour from time to time, but they’re a band frozen, trying to recapture a time when they had one of the greatest lead singers the world had ever seen. But Blue Mountains outfit Doctor Goddard are here, making new music like their latest single “Without Love.” And if I’d never heard of The Doors, I would have judged this song on its own merits as something, dark, brooding, and really interesting.

If you dig what they do, make sure you get along to the single launch at Sydney’s Goodgod Small Club on October 2.

“Stories” – At the Dakota

I rarely hear music coming out of the Northern Territory. I’m not sure whether that’s because there aren’t enough musicians up there, or because they just don’t filter down to us here in the southern states. But either way, I’m really glad I have been able to listen to one of the few bands bucking the trend, At the Dakota. This Northern Territory outfit have just released their debut EP Stories, and it’s one of the coolest recordings I’ve heard in some time.

It opens with “Peach Hat,” a summery, breezy song with rapid-fire vocals. I instantly warmed to its cool quirkiness. “Jonestown” showcases a mellower side of At the Dakota. I love its sexy blues groove. The title track “Stories” is another solid indie pop ditty, with some of the EP’s best lyrics. The EP closes with “Stumptail,” which won the People’s Choice – NT Song of the Year 2015. I can understand why. It’s got some of the most impassioned vocals on the EP, and a great sing-along chorus.

At the Dakota have a great energy, with a fantastic pop sensibility that never strays into the predictable. In just four songs they’ve won me over.

Stories is out now. To celebrate its release, At the Dakota are touring around the country next month. Catch them at the following venues.

1 October 2015 – Darwin Railway Club, Darwin
2 October 2015 – Ric’s Bar, Brisbane
3 October 2015 – Shamrock Hotel, Toowoomba
9 October 2015 – Grace Darling Hotel, Melbourne
17 October 2015 – Hotel Metropolitan, Adelaide
23 October 2015 – Four5Nine Bar, Perth
24 October 2015 – The Prince of Wales, Bunbury
31 October 2015 – Epilogue Lounge, Alice Springs
13 November 2015 – Discovery Darwin, Darwin (supporting The Rubens)

Image used with permission from RISH Publicity

Lucas James Impresses with “Long Way Back Down”

Melbourne’s Lucas James blends rock and soul so effortlessly with his new single “Long Way Back Down.”

It reminds me a little of something Lenny Kravitz might have released, all swagger and sultriness. It’s such an easy listen, but that doesn’t mean that it doesn’t take risks. While it’s undoubtedly radio-ready, it also doesn’t sound like anything I’ve heard on the top 40 lately. It’s incredibly cool, and I hope we hear more from this Melbourne artist.

Alex Lahey Goes Solo with “Air Mail”

It was only a couple of months ago that I was gushing about Melbourne act Animaux and their awesome single “Come on Over.” I’m about to do it all again after discovering the first track from lead singer Alex Lahey’s new solo project “Air Mail.”

This song is just wonderful, with an infectious energy and charming lyrics. Oscar Dawson from Holy Holy produced the track and also offered his expertise on guitars, keys, and percussion.

“Come On Over” is really good stuff, the sort of music that makes me want to press play again when it’s done. Whether she’s with her Animaux mates or tracking solo, I’m so excited about this young Melbourne artist. We’ll see her debut solo EP released early next year.

Plastic Not So Plastic

I must admit that I got nervous when I received a single stream from a band called Plastic. That work suggests this Melbourne band is creating the worst of music, that which is disposable and lacking in substance. However thankfully, nothing could be further from the truth.

The lyrics of “So Numb” are what I’ve really sunk my teeth into. The melody’s lovely and the vocals solid, but it’s those words that have really gotten underneath my skin. Make sure you listen to them.

“So Numb” comes from Plastic’s EP Nightmares, which is available now as a pay-what-you-want download from their Bandcamp page. Plastic will launch the single at Melbourne’s Gasometer Hotel on September 18.

“Songs Made in My Bedroom” – Kristafor Farrenkothen

I’m a firm believer that if the music is good enough, you don’t need fancy production. It’ll speak for itself, and perhaps even shine brighter because it’s not bogged down in studio trickery. Just because you can add an orchestra or overdubbing to a recording doesn’t mean you should. In fact only today I decided not to post about a song with some really strong lyrics because I felt it was lost in its production.

It’s interesting on a day like that, where I’m getting weary of songs sounding too big, that I should hear Kristafor Farrenkothen’s EP Songs I Made in My Bedroom. The fanciest thing about this music is Kristafor’s name attached to it. The EP is exactly what it says on the tin, a collection of songs recorded in his bedroom. But what songs they are.

There are just three, far less than any EP I’ve seen recorded in the studio. But every one is incredible. I was transfixed from start to finish. Normally I listen to music while I’m doing other things but I had to stop and hear every word of these tracks. I ordinarily take notes, but I didn’t want to get dragged out of the spell they’d put on me. And why should I attempt to capture how special they are when I could just share the EP and let you listen for yourself?

There are certainly rough edges here, as there are with any bedroom recording, but that doesn’t take away from the beauty of what Kristafor has created. This talented singer-songwriter has a really bright future ahead of him.

The Wanderlife Spread Good Vibes with “Take Flight”

I’m feeling decidedly upbeat this week. For me Wednesday isn’t Humpday, but one day closer to the three-night cruise my husband and I are embarking on this Friday. It’s a short break but one that’s sure to recharge my batteries, and the promise of it has put a real spring in my step.

My mood is echoed in “Take Flight” the awesome debut single from local Australian indie-pop duo The Wanderlife. I love the way the female vocals skip along with those gorgeous synths. It’s such a cheery track, I challenge anyone to listen to it without smiling or tapping their toes.

Has it made your Humpday more bearable readers?

Bishop Get Me Grooving with “Save Me”

Aidan Bishop and James Lord, formerly of The Ride, have a brand new act called Bishop and it’s really got my attention.

The project came about while Aidan was finishing up his music studies in Lismore late last year. After hearing the demos, Aidan’s former bandmate Lordy couldn’t wait to be part of the new act.

I don’t blame him, because the first single “Save Me” is pretty sensational. I love its soulful sound and its easy groove. I’m more impressed to hear the lads recorded and produced the track in a home studio.

Something tells me we’ll be hearing a lot more from Bishop.

Hands Like Houses Ready for First World Tour

Aussie rock act Hands Like Houses are preparing to kick off their very first world tour to celebrate their upcoming third studio album Dissonants. Australia will get to see the lads first, followed by fans in the United States and the United Kingdom.

“We are unbelievably excited to announce our very first world tour! We’re hitting the roads and skies in support of our brand new album Dissonants this October-December in Australia, the US and UK,” the band’s frontman Trenton Woodley said in a statement. “Even better, we’re dragging a whole bunch of friends, old and new, along for the ride!” Those friends include British rock act Lower than Atlantis and openers Far Away Stables.

Details of the new album are still a little thin on the ground, but it will see them reuniting with producer James Paul Wisner, who worked with Hands Like Houses on their 2013 album Unimagine. Fans will get to hear the new songs at the following shows. Tickets are on sale through the Hands Like Houses website, except for the all ages shows which are available through Oztix. These drug- and alcohol-free events are a bargain for students at $10 plus booking fee.

25 September 2015 – Campbelltown Civic Hall, Campbelltown (ALL AGES)
26 September 2015 – Orange Function Centre, Orange (ALL AGES)
27 September 2015 – Scone High School, Scone (ALL AGES)
2 October 2015 – Basketball Stadium, Bateman’s Bay (ALL AGES)
3 October 2015 – St Joseph’s School Hall, Goulburn (ALL AGES)
4 October 2015 – Giant Dwarf, Sydney (ALL AGES)
9 October 2015 – Northcote Social Club, Melbourne (18+)
15 October 2015 – Brightside, Brisbane (18+)
16 October 2015 – The Cambridge, Newcastle (18+)
17 October 2015 – Newtown Social Club, Sydney (18+)
18 October 2015 – ANU Bar, Canberra (18+)
23 October 2015 – Soma, San Diego
24 October 2015 – Pub Rock, Scottsdale
26 October 2015 – Korova, San Antonio
27 October 2015 – Trees, Dallas
28 October 2015 – Walters, Houston
30 October 2015 – Backbooth, Orlando
31 October 2015 – Epic Problem, Tampa
2 November 2015 – Masquerade, Atlanta
3 November 2015 – Greene Street, Greensboro
4 November 2015 – Canal Club, Richmond
5 November 2015 – Marlin Room @ Webster Hall, New York
6 November 2015 – Croc Rock Café, Allentown
7 November 2015 – The Palladium Upstairs, Worcester
8 November 2015 – Gamechanger World, Howell
10 November 2015 – Beachland, Cleveland
11 November 2015 – Pike Room @ Crofoot, Pontiac
12 November 2015 – Emerson Theatre, Indianapolis
13 November 2015 – Bottom Lounge, Chicago
14 November 2015 – The Rave/Eagles Club, Milwaukee
15 November 2015 – The Firebird, St Louis
17 November 2015 – Marquis Theater, Denver
18 November 2015 – In The Venue, Salt Lake City
20 November 2015 – El Corazon, Seattle
21 November 2015 – Analog Café, Portland
23 November 2015 – The Boardwalk, Orangevale
24 November 2015 – Bottom of the Hill, San Francisco
27 November 2015 – Glass House, Pomona
30 November 2015 – Key Club, Leeds
1 December 2015 – Think Tank, Newcastle
2 December 2015 – Cathouse, Glasgow
3 December 2015 – Sound Control, Manchester
4 December 2015 – Arts Centre Loft, Liverpool
5 December 2015 – Bodega, Nottingham
6 December 2015 – Temple @ Institute, Birmingham
8 December 2015 – Clwb lfor Bach, Cardiff
9 December 2015 – Fleece, Bristol
10 December 2015 – Joiners, Southhampton
11 December 2015 – Electric Ballroom, London

Image used with permission from Paris is Patient