With every single release, Victorian singer-songwriter MAXON has been building a reputation as one of the most solid female voices on the scene. Now that her debut album Talking With Strangers is out in the world, there’s no doubt that she’s the real deal.
As someone with eclectic music taste, I appreciate the diversity of Talking With Strangers. MAXON delights in exploring different sounds. It all seems so effortless for her to move from raucously upbeat numbers like “18” and “Yabada” to heartbreaking ballads like “Best Shot” and the stunning closer, “Circles.” Often she plays in an Americana/country/folk space, but she isn’t afraid to throw us curveballs, like the synth-heavy retro pop-inspired “Tangerine Dream.”
While Talking With Strangers takes plenty of musical left turns, the album never gives listeners whiplash. It’s anchored so beautifully by MAXON’s voice. It’s rich, warm, comforting, authentic, steady. You know you’re in safe hands listening to her, so you’re open to wherever these songs take you. And then there’s MAXON’s exceptional songwriting skills. She’s a natural, writing songs that speak to the heart of her experiences as a woman and member of the LGBTQIA+ community. Together, they do an exceptional job of introducing MAXON to music lovers.
For a long time, I’ve said if you’ve never lived in Mulubinba/Newcastle, you don’t really understand how special the place is. It’s one of those cities that never leaves your heart, no matter how far you move away. Once a Novocastrian, always a Novocastrian. But now with the release of Steel Town, I think Morgan Evans might have given the country the scoop. His third album is a beautiful love letter to the place he still calls home and the feelings associated with it.
As someone born and raised in Newy, I was thrilled to hear the references to Burton Road, The Cambridge Hotel, and the rowdy home ground crowd (if you’ve ever been to a Knights game, you know) in the title track. It’s the perfect opener, rooting this album in a place that means so much to Morgan and many of his loyal fans. But he understands that many of the people who listen to his music don’t know Newy, and so other songs tap into the essence of the city without being so specific. If you’ve ever frequented local watering holes like The Del or The Lucky, you understand the culture that drinking songs like “Beer Back Home” and “Another Drink Coming” bring to life. But these songs could just as easily be written about pubs across Australia, bars across America, and beyond. “Land I Love” is a more general tribute to Australia, one which takes us from the white sand and crashing waves of the coast to the “red dirt tracks” of the Outback.
Then there are the stunning love songs celebrating the feeling of home that you get when you’re with the right one. “Two Broken Hearts,” a duet with American singer-songwriter and new love interest Laci Kaye Booth, talks about mending the pain with the right person. Her home state gets a nod in “She Talks About Texas.” The closer, “Settle It Down” perfectly brings together those ideas of love and home.
Listening to Steel Town, it seems like this is the album Morgan Evans was always meant to make. It’s a loving tribute to the things that matter most to him, although it’s accessible enough to touch the hearts of fans far beyond his hometown. As a Novocastrian, I’m very proud of this one, but I hope the rest of the world gets behind it too.
Steel Town is out now. Morgan will play Meatstock this month before kicking off his Aussie tour in May.
The Wolfe Brothers are celebrating the 2025 release of Australian Made with a massive trip around the country. Their upcoming shows end an 18-month break from touring, so expect these guys to be pumped up when they hit your hometown.
“The Australian Made concept really came from looking around at our lives and the people we grew up with,” Tom Wolde explained. “It’s a reflection of where we are from, the stories, the landscapes, the proud communities and the spirit of Australia. We wanted to make a record that felt honest, a record we would be proud of, without overthinking it.”
“Those couple of hours on stage is where we feel most alive,” added his brother Nick. “We don’t take for granted that most people never get to experience playing to a crowd that has lived the songs you have written and sings them back to you. There is no greater feeling.”
After their 2023-2024 Livin’ the Dream tour was voted Australian Tour of the Year at the inaugural Countrytown Awards last March, The Wolfe Brothers will be working hard this year to uphold their reputation as one of the best live acts in the nation. Tickets for the following shows are now available from the links below, but there’s more to come through 2026 and 2027 if you missed out this time around:
Local singer-songwriter Ama has teamed up with Japanese-American artist Tanisako for an exciting new duet, “Bad Guy.” I’m always a sucker for a good duet, so this one ticks all the boxes for me.
Ama says the new single is “about not wanting to be the bad guy when you need to break up with someone. It still fits the vibe you’ve been hearing from me lately with the sad girl indie-pop.”
So if you’ve enjoyed Ama’s previous releases or you’re new to her music, make sure you give this one a listen. You’ll find it and a bunch of other local gems on my playlist, Sounds of Oz Loves Pop. If you’re not already, make sure you head to Spotify and give it a follow!
Meeanjin/Brisbane rockers Bad Neighbour have me feeling nostalgic with their fantastic new coming-of-age track “Rush Apart.” With his angsty emo sound and lyrics exploring young love, this third single from Bad Neighbour’s new album is taking me right back to my teenage years.
“‘Rush Apart’ was one of the first songs we wrote for the record. I had the ‘Rush Apart’ line saved in my lyric folder for so long, and I wanted the general theme of the song to be about young, dumb love – we are often so quick to hurt each other when we have no idea what we’re doing,” admitted vocalist Cooper Riley.
“Rush Apart” comes from Bad Neighbour’s sophomore album Burns From the X-rays, which drops on June 5. You can pre-order the album and Bad Neighbour’s brand new hoodies and tees, including some fantastic bundles, right now from Imprint Merch.
New York acts Prince Daddy & the Hyena and Macseal are teaming up for a double-headline tour this July. Both acts are visiting Australia for the first time and playing some of the country’s coolest intimate venues.
I have to shout out the promoter Destroy All Lines who have put together some fantastic double- and triple-bills for up-and-coming and niche acts of late. They’ve made sure fans can see these bands who probably couldn’t tour Australia under their own strength. They just don’t have the following to make it feasible. But pair them up and it’s all systems go! I must admit, I wasn’t across either band before the press release hit my desk, but I’ve been listening to them both all day. Prince Daddy & the Hyena’s punk-rock sound has my heart, but Macseal also make fantastic indie-rock music. Take a listen, because of this tour goes well they’re going to graduate to larger venues next time around.
Prince Daddy & the Hyena will be here promoting their highly anticipated fourth album Hotwire Trip Switch, which drops on April 17. Macseal only just released their EP Macseal on Audiotree Live last December, which gives you a taste of how good they are on stage. Find out for yourself when Prince Daddy & the Hyena and Macseal hit local venues later this year.
James Johnston celebrates the sounds that sparked his love of the genre with his latest single, “DO YOU PLAY ANY COUNTRY.” If you’re a country music fan, I know you’ll dig this nostalgic new track.
“I spent 15 years playing in little pubs and bars all around Australia and one of my favourite moments was when someone would come up and ask for a country song because that’s when I knew there were country fans in the crowd,” he recalled. “’DO YOU PLAY ANY COUNTRY’ is a throwback to those nights, celebrating the songs, the crowds, and the classic country anthems we all know and love.”
James will be playing plenty of country this year with appearances at local festivals and events abroad. There’s even more to come, but for now here are all the places you can find him in the coming months.
After releasing music for seven years, it’s a little wild that Budjerah hasn’t yet released an album. However, all that is about to change on July 24 when his long-awaited record Gentleman drops. He’s giving us an early taste with the release of this killer title track.
“Gentleman is my debut album and it’s inspired by who I wanted to be when I was growing up,” Budjerah explained. “This album was almost a four-year process for me. Between my life at home and life on the road, I experienced so much change and growth. Chasing my dreams, I faced new challenges which helped me understand who I wanted to be. Every song on this album holds a piece of me. I hope little Budjerah is proud.”
Listening to this song, I’m kind of glad Budjerah didn’t rush things. This track is so slick, smooth, and confident. I’m not sure teenage Budjerah could have delivered all that swagger!
We’ll hear more for Budjerah when his debut album Gentleman drops on July 24. Warner Music are taking pre-orders now for digital download, CD, and vinyl copies with signed cards, so get onto that if you’re a fan!
Most of us fondly remember the first act that we loved independently of our parents. We discovered them on our own and they spoke to us as individuals, meeting us as the people we were becoming, not the children still tied to the adults who raised us. They’re there for us at a time we needed them to forge our own identities. If we’re very lucky, they’re still there for us in the years that follow. For me that band was the Counting Crows. As a 13-year-old, I enjoyed singing along to “Mr. Jones” but I felt truly seen by “Round Here.” Yes, I was an angsty little thing! I got a copy of August and Everything After in my Santa sack and had it on repeat until Recovering the Satellites dropped in 1996. With the release of Hard Candy I was a little older and finally able to start seeing Counting Crows in concert. I developed a new respect for their artistry with every subsequent show, marvelling at the way frontman Adam Duritz could play with melodies and lyrics to make the songs I knew well feel fresh. That experimentation wasn’t to everyone’s taste, but I was here for it.
It was a case of first-world problems when I missed the last tour due to a holiday in Western Australia. So I was thrilled when Counting Crows announced they’d be a part of the ill-fated Bluesfest lineup for 2026. I counted my blessings when mercifully they weren’t a casualty of the collapsed festival. Before one of my favourites, I finally saw Kingswood. I say finally, because the Naarm/Melbourne act has been around for nearly 20 years, yet for some reason our paths had never crossed. Their blend of country, rock, and blues was the perfect foil for Counting Crows. Every member of the band has serious musical chops. I loved hearing the members harmonise and Fergus Linacre and Alex Laska trading off lead vocals. They had so much energy. It was the perfect entrée for the evening’s entertainment.
From the first notes of new track “Spaceman in Tulsa,” there was a different energy about this Counting Crows gig. It sounded so true to the album, a celebration of this new chapter. I thought perhaps Adam was sticking to the script just because this was a new song, but as the band moved into older numbers like “Hard Candy” and their breakthrough hit “Mr. Jones,” Adam stayed faithful to those recordings, even encouraging us to sing along as he held the mic aloft. We were all sharing a moment here, and it was glorious. Of course, Adam can never resist a little experimentation, but I think this show had a perfect balance between those sing-along moments and more creative sections.
The set was inspired. Counting Crows is a band with relatively few big hits. While they’re happy to tick them off for casual radio listeners, they’ve got time to deliver plenty of those favourites that more hardcore fans just don’t expect. The set is always changing, dependent on the vibe of the band and the audience. I was thrilled to hear so much from the fabulous 2025 album Butter Miracle, The Complete Sweets! Then there were songs I’ve long held close to my heart like “Angels of the Silences,” “Goodnight Elisabeth,” and the stunning closer “Holiday in Spain.” You expect a band to fill your cup with a song that you already adore. It’s more surprising when they can floor you with a song you’ve ignored. “Washington Square” has never hit me before, but I felt it last night.
Counting Crows are such a good band. Five original members are still waving the flag, bringing a sense of camaraderie which is so special to witness. Adam is a force of nature, a little less angsty than he used to be but no less passionate. I got a little thrill every time Charlie Gillingham stepped out from behind the keys and picked up the piano accordion. David “Immy” Immerglück can seemingly play any instrument, but his turns on mandolin were highlights. I had so many moments though where I just marvelled at the sound as I bopped along in my seat.
I’m not sure I’ve ever seen Adam so humble, so grateful, as I did last night. He’s always been a man of few words, preferring to let the music speak for him. But he took a moment to pause and thank us for the support through all the years that has allowed him to continue making music. It was heartfelt, an acknowledgement of the magic we all felt in that room. I’ve thoroughly enjoyed all my Counting Crows shows, but I have no hesitation in saying last night was the best of the bunch. Like a fine wine, they just seem to get better. Tickets to the rest of the Aussie The Complete Sweets! shows are rare, but if you can get yourself to a show I promise you won’t regret it.
The album opens with “A Habit of Dreaming,” a gentle soundscape of slide guitars, piano tones tells you to buckle up and settle in. “Something in the Winter” arrives like a hurricane. It’s country with a healthy dose of rock, anchored by Chloe’s incredible voice which can seemingly do anything. Her low tones are beautiful, but when she opens up on the chorus she really soars.
As the album continued, I became even more enamoured with Chloe’s voice. While “Pushing Punishment” had given me a taste of Chloe’s vocal capabilities, I didn’t know it had the bluesy tones she employs on “Why?” or the edge she exhibits in “Going Down the Drain.” I wasn’t prepared for the way she left herself so exposed in the haunting “Missed Mistakes.” She’s got such a strong solo voice, the beautiful harmonies of “a bad day in februrary” and the gorgeous duet, “Weight of It All,” featuring Jesse O’Neill, also caught me by surprise. The chemistry sizzling through this unforgettable closer makes it one of the album’s highlights.
While Chloe’s voice compelled me, it’s her songwriting talents that really held my interest. As I became more acquainted with the songs I marvelled at her knack for sharing her own heart while creating songs that resonated so strongly with me.
“My goal with this project is not only for neurodivergent people but is for anyone who has ever felt different,” Chloe said. “The record’s whole point is to remind people that it’s everyone’s first time being alive, as well as everyone’s last time being alive. How it’s just so much more worthwhile and meaningful to be kind, grateful, present, not get so caught up in things that don’t serve you, work, life stress, things you can’t control or the past. It’s about leading your own life, dreaming your own dreams and bringing them to life. I have always had a very supportive network around me and I understand not everyone has that privilege or ease in life and that sometimes it’s more complex than that, but this album really serves as a place for people to come to when they just need to feel a little more loved, believed in, confident, capable, strong, fearless and totally inspired to lead their own lives.”
I Have a Habit of Dreaming is out now. Chloe will mark its release with a string of shows kicking off in her hometown this April.
